There is a Manual for film that sets out precisely what is to happen as closely as The Manual did for pop music. But
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There is a Manual for film that sets out precisely what is to happen as closely as The Manual did for pop music. But
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Must be movie week at Rocknerd. So I was reminded of The Adventures of Ford Fairlane (1990), a thoroughly enjoyable piece of cheese starring
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Russell Crowe wanted a followup to Gladiator. So, of course, he called Nick Cave. ‘Cos that’s obviously the first thing you do.
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A look into Asylum, assembly-line producers of such instant classics as 2-Headed Shark Attack. This century, the market for B-movies is Netflix and the
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I dug through archive.org again and dredged up some more prime Rocknerd. TISM, the crippled CD database (remember when music came on CDs? Hah!),
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Someone outside Australia notices Dogs In Space, specifically Anthony Nield at the Quietus. And of course, you can get the soundtrack album for less
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The redoubtable Vi Hart produces a brilliant half-hour video on how Schoenberg‘s twelve-tone technique works, and a few examples that demonstrate just where half the background music of the twentieth century came from. Includes discourses on the nature of art, the nature of musical shapes and the reprehensibility of present copyright laws.
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Reflections on Rowland from Swamplandzine. I was one of those people going to every Rowland Howard gig I could in Melbourne in the late
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