I’m treating this as a good live record with a bonus studio compilation. This selection hangs together.
Read MorePlacebo, Bristol Amphitheatre, 28th June 2024
The last time I saw Placebo was the Kerrang Big Day Out at the Milton Keynes Bowl in 1999, when Metallica headlined. I crewed that one.
Read MoreFrankie Goes To Hollywood: Welcome To The Pleasuredome (1984).
It was never going to be easy to live up to that earthshattering series of singles, but I should not be thinking “yes, yes, get on with it.”
Read MoreThat fucking band.
For all the talentless fucks who are absolute in their certainty that the way out is the way through.
Read MoreNeil Young & Crazy Horse: World Record (2022).
One for those who understand that Arc is the best Neil Young live album.
Read MoreRobert Görl and Deutsch Amerikanische Freundschaft: Nur Noch Einer (2021).
Görl pulled out a pile of old DAF tapes for inspiration, wrote new words, and released one final DAF album.
Read MoreHouse Of All: House Of All (2023).
Collecting old ex-members of the Fall into a band sounds like a good idea.
Read MoreThe next frontier in IP parasites: codec royalties on content.
It is difficult to overstate just how much better everything would be for everyone except the parasites if software patents were abolished.
Read MoreBandcamp has been sold to Songtradr. What does this mean for the musicians?
At least Songtradr, unlike Epic, is in the same business.
Read MoreSnake oil never sleeps: MQA bought out by Lenbrook.
Lenbrook does have considerable experience straddling the fine line between “very good sound equipment” and “green marker pen on your speaker wires.”
Read MoreSigue Sigue Sputnik: Flaunt It. The most mid album of 1986.
These were not very bright guys, and things kept failing to get out of hand.
Read MoreBattlefield Earth (2000). A saga of the year two thousand.
It was twenty-three years ago, but the pain remains fresh.
Read MoreBedless Bones: Sublime Malaise; After Malaise (2019, 2020, 2023).
The vocals waft, but they waft on top of a beat and you can dance to it.
Read MoreNotes and Reflections: Lana Del Rey
There were eight whole records to listen to. Eight!
Read MoreSpray: The Big Idea will rock and change the world. Ricardo Autobahn interviewed.
“If there’s one thing Spray are excellent at, it’s our drum fills. If there’s one thing we should be remembered for, I’d like it to be the drum fills.”
Read MoreStu Spasm’s Wikipedia article now has an old photo of him.
Tales from 1986, when I was nineteen and just embarking on making my youth suitably dissolute.
Read MoreOh no! Snake oil “hi-res” audio company MQA is going broke.
Oh no! Where will I pay well over the odds for a 13-bit FLAC now?
Read MoreIt’s gonna play all the records in the hit parade, and they’re all Morgan Wallen.
I hadn’t expected listening to the hit parade to feed me an album review.
Read MoreThe complete Fall Peel Sessions playlist.
Is it worth your time? Of course it bloody is.
Read MoreMassenhysterie: Hausfrauengelüste (2019).
More fun than deep, but it’s pretty good and I enjoyed it.
Read MoreBraddock Station Garrison: American Radio (2019).
It made friends with me within the first three chords of “Blockbuster.”
Read MoreSchkeuditzer Kreuz: Isolated and Alone (2021).
Punk rock in early hardcore style through industrial electronics.
Read MoreJustine Ó Gadhra-Sharp: Sídhe (2022).
A nicely varied EP from a veteran of the New Zealand goth scene.
Read MoreDelerium: Signs (2023).
Signs is an extremely pleasant listen.
Read MoreImaad Wasif: So Long Mr. Fear (2022).
Eventually indie folk rockers make it clear which Beatle they modeled their approach on.
Read MoreFreeDB is gone — but the CD data lives on.
Guess it’s been a while since I touched the dusty old boxes of CDs — I only just found out that CD database FreeDB shut down some time in early 2020.
Read MoreFlower Face: The Shark in Your Water (2022).
Something to listen to while tending your greenhouse full of carnivorous and/or poisonous plants.
Read MoreB.E.F.: Music For Stowaways (1981).
A fun listen if you know who Marsh and Ware are, and it gives you a good idea of how they were thinking.
Read MoreCapsule: Metro Pulse (2022).
Yasutaka Nakata‘s much-anticipated synthwave masterpiece.
Read MoreFarewell: Panic! at the Disco, 2004-2023
Nineteen years isn’t a bad run, for a baby band that blew up and then fell apart several times along the way.
Read More