It’s nice to see local kids who have received some international acclaim return to their home ground, even if they do so with some regularity.
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It’s got a beat and you can do architecture to it.
It’s nice to see local kids who have received some international acclaim return to their home ground, even if they do so with some regularity.
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Spanning techno, trip-hop, progressive house, and dub, I readily admit to being a very long-term fan of Leftfield.
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Plenty of performers and truly wonderful costumes, certainly among some of the best that have been presented at any live show, all along with the expected levels of light and colour, as the musical duo were safely ensconced in their own pit.
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For fans of Rüfüs Du Sol, Inhale/Exhale is not a dramatic departure from their earlier work.
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It was never going to be easy to live up to that earthshattering series of singles, but I should not be thinking “yes, yes, get on with it.”
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Yasutaka Nakata‘s much-anticipated synthwave masterpiece.
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I had an epic musical missed connection when I confused the Happy Flowers with the Happy Mondays, and didn’t realize what had happened until thirty-odd years later.
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Yeeeeeahhhh that’s the 2nd floor of Slimelight GOOD STUFF, y’all.
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Two are actually from this year!
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Also: the Terminator comedy dick puppet remix technique.
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Experientially and holistically, this is a thoroughly enjoyable piece of work of which Grum can be pretty proud of.
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Possibly one of the most iconic progressive house bands of the 1990s, Underworld’s appearance at Sydney’s Vivid light and sound festival was exceptionally appropriate.
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Suspended in gaffer.
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Excessive quantities of pseudish babble wrapped around a surprisingly good live techno gig.
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Everyone’s familiar with Lords of Acid at a basic level, right? Dark electronic erotica? Techno songs about fucking? It’s all very nineties. Pretty in Kink was released in May 2018 but still puts out the oldschool LoA vibe.
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Post-punk albums in the style of 1960s Penguin nonfiction paperbacks.
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The Rolling Stones piece certainly answers for me the question “why could I never get into this stuff?”
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“If there’s one group who can capture the spirit of bitter infighting that typifies being in a World Cup squad …”
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Plus Salman Rushdie’s disco turn, and “Ace Of Spades” played on an actual spade.
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There are many legal inaccuracies and errors that Bananarama fall into here. I think it’s important that we address them.
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Planet Rock. Nicht halt. Raza DIdzpetris is why the Kinks were that good.
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Industrial and 2017 punk.
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Please forgive my neglect, I love you really.
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From the grey area between techno and industrial.
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From the review pile, some forthcoming releases from Echozone.
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And PlayMobil Joy Division.
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And the Haçienda is still in popular culture. And Makoto Kino.
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Time to go out looking for interesting new things.
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All bound for Mu-Mu Land.
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The one thing anyone wants from a new synth.
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