In which I go on a podcast and talk about why blockchains are still trash, particularly for music. Don’t fall for resentment-based marketing!
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In which I go on a podcast and talk about why blockchains are still trash, particularly for music. Don’t fall for resentment-based marketing!
Read MoreA document of anarchopunk of the late 1970s and early 1980. It’s short, but it’s cheap and a great read.
Read MoreColgrave’s animation is beautiful. It is alternately stark and lush, full of repeating patterns and startling aberrations and the score, Royal Noises from Dead Kingdoms, mirrors the hypnotic visuals in its layered, thoughtful construction.
Read MoreA lot of metal is full of goofy bullshit, a lot of which is very somberly growling about satan, hell, torture, shit, darkness, and other suitably grimy and nasty metal things. And sometimes it turns out that goofy bullshit is pure, distilled perfection and the concentrated essence of joy.
Read MoreWhile the rest of the world moves, changes, shifts, reshapes itself, and discovers irony you can always return to the comforting refuge of goth rock.
Read MoreAt least Twitter reaps a bountiful harvest these days.
Read MoreThe record industry is being blustering idiots about piracy again.
Read MoreIt looks like eMusic’s attempt at a comeback last year didn’t work out so well. Behold: the eMusic Blockchain Platform! … a Kodak moment indeed.
Read MoreAustralian indie guitar favourites from the late 1980s, their complete catalogue available once more.
Read MoreThe record is a solid piece of work with plenty of power. A sound that wavers between groove and thrash from song to song.
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