Post-punk albums in the style of 1960s Penguin nonfiction paperbacks.
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Post-punk albums in the style of 1960s Penguin nonfiction paperbacks.
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The Rolling Stones piece certainly answers for me the question “why could I never get into this stuff?”
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Good thing I eventually got that Spotify article done, hey.
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I actively try to use Spotify, because I like the idea that the artist will get at least a penny shaving. So why do I keep just using YouTube? Because it’s not a goddamn pain in the arse.
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There are many legal inaccuracies and errors that Bananarama fall into here. I think it’s important that we address them.
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I feel like I’m giving away the game here by revealing the truth to the terminally incompetent, but good Lord this is ridiculous.
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You can guess which of these I’m particularly excited by.
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Warner has signed a completely expected deal with YouTube, because they do great business with each other and fully wish to continue. The music industry is hilariously outraged that Warner did the obvious deal with a fantastic and essential publicity outlet.
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Ongoing sagas that remain perennial bad pennies of stupid.
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With cites that they know this money doesn’t actually exist yet.
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Search for dance mixes on YouTube and play them right there.
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Shazam makes a profit but not from records, the record industry goes back to trying to sue the Internet out of existence, the record industry thinks a YouTube employee is really working for them for free, Spotify and Soundcloud will prove that 2+2=1.
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Dr Dre and Apple’s new headphone jack, reminiscences on Alan Vega (and Bruce Springsteen) and clickbait for aging record nerds.
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YouTube, record company accounting, Tidal.
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So how much is music actually worth? Spoiler: nobody knows. Universal Music Hijacks YouTube Videos of Indie Artist. Because of course they did. How
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Liberation Music really don’t like people using their music on YouTube. So when some guy used a recording they owned, they got it taken
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Dot.com winner Paul Graham writes on why TV lost — computers + television = computers.
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