Post-punk via yéyé, shoegaze and new wave revival.
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Post-punk via yéyé, shoegaze and new wave revival.
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Ambitious but endearing synthpop, catchy new wave pop and authentically recreated mid-’80s UK indie rock.
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Shouty electropunk, indie pop and cinematic folk.
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Fine American, German and French post-punk sounds. With video!
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Post-punk synth, futurepop and synthpop.
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Two industrial, one post-punk, one synthpop, one indiest indie.
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An old favourite, the first track from the Laughing Clowns’ first album, just after Ed Kuepper split the original Saints.
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Back in The Day™ (1989), everyone compared My Dad Is Dead to Joy Division. Really, every review. Like they couldn’t think of anything else to say.
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At almost sixty-five minutes, New Order’s tenth studio album Music Complete. On vinyl it is provided as an impressive heavy-grade double album with an abstract cover design by Peter Saville, which reminds one of True Colours by Split Enz or a 1980s L’Oreal advertisement. With no sense of embarrassment, the album also includes a twelve page booklet of blank pages and uncoloured designs. This ill-considered use of the planet’s declining arboreal biomass can possibly amuse children for a couple of hours as they provide a more interesting expression of colours. As is the fashion with albums these days a digital download code is also provided.
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“If you think it’s about the music, you’ve already failed.” The pop culture legacy business, and why Kurt Cobain is still a huge star.
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The concert hall of the Sydney Opera House is, of course, one of the world’s great venues. Filled to capacity of over two-and-half thousand the audience were displaying an enthusiasm that would continue throughout the night. Although older on average, there was a fair sprinkling of younger faces indicating that the reputation of one of the world’s great electronic and synth-pop bands was still continuing.
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This is the finest album by the great Australian band No, featuring Ollie Olsen when he was still angry, before he discovered MDMA and made Third Eye. It’s a live album. I got the record when it came out in 1989 and played it every day for a few months. Invigorating and cheering music that will brighten your soul.
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In 1983, Mark E. Smith of the Fall went on Greenwich Sound Radio and, between being interviewed and playing records, gave them his definitive guide on how to write.
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I admire old Bill for all sorts of things, none of which are his personality, murdering his wife, fucking up his son or misogyny so jawdropping he literally made it into an artform. I wonder what signifiers wearing a Burroughs shirt would have in 2016 as opposed to 1996 (“yeah yeah you’re hip go away”) or 1986 (“who?”).
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For a band formed in 1981, Shriekback have certainly had a couple of notable breaks in their productive career.
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This review has been sitting in the ‘to post’ box for a while, for reasons that will become evident.
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DAF were a Neue Deutsche Welle (New German Wave) band, covering the time from when NDW meant hideous post-punk noise to when it meant cheesy pop. Funnily enough covering a similar arc themselves.
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At a special screening at The Astor, the Nick Cave documentary 20 000 Days on Earth was screened, with Nick present for a Q&A
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A small amount of fun this week writing up obscurities for Wikipedia: Operation Twilight (UK branch of Les Disques du Crépuscule) and Factory Benelux
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Reflections on Rowland from Swamplandzine. I was one of those people going to every Rowland Howard gig I could in Melbourne in the late
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Old post-punks, raise your walkers in the air and cheer! James Nice of LTM has revived the Factory Benelux label for the ongoing LTM
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Well, that was certainly a thing. I was a teenage Joy Division/New Order obsessive, and for many years I’ve found covers of them inherently
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Students of Australian music need to listen once to the first six songs on Icehouse by Flowers as part of first-year New Wave. Beyond
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Plans are afoot for Rowland S. Howard to get his own disreputable dark alleyway. Well, it worked before! (Is RSH Lane actually dark?)
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FUC51 no doubt shat, but crusty old post-punks like me will delight at Peter Hook interviewing John Cooper Clarke on BBC Radio 4 Chain
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Aggressive ahistoricality is a problem, but so too is the dead hand of nostalgia, follow the subjects of the nostalgia back when it wasn’t
Read MoreWhy not cheer up your readers with a string of album giveaways? The Times gives you music for global financial crises: Closer by Joy
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