Cover versions.

“Today is not much skilled craftsmen capable of creating a truly awful cover for a vinyl disc. This art, alas, almost lost. When we

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Albatross.

Saw a girl on the tube with a Get Hip Records bag. I told her I approved. I’m contemplating my own half a ton

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Review: Kim Salmon, E(a)rnest

Long term fans of Mr Salmon’s heavier works may have been in the main disappointed by the musical detours of recent years (a subject he actually canvases on this album), but nevertheless respect was always due for the fact he had decided to go his own way rather than merely retread the past.

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TISM Best.off launch, fortyfivedownstairs gallery

The unfortunately-timed TISM greatest hits compilation, tism.bestoff, (which is being released less than a year after their last studio album DeRigueurmortis, which was delayed by two years anyway) was launched at Melbourne art gallery fortyfivedownstairs on Tuesday night. If you’ve ever harboured a desire to have Ron Hitler Barassi serving you sushi, you shoulda been there.

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New Darkwave/EBM/Synthpop quickies

It seems that maybe the muse has been getting around in EBM and Darkwave circles of late, or maybe just the right drugs are being taken … whatever it is, there is some fantastic new music on its way, and here are some short reviews of some of the current and future releases …

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Icon Of Coil ‘The Soul Is In The Software’

Scandinavian act Icon of Coil have been plying their brand of boppy EBM for a number of years now, wowing European audiences with their reputedly spirited live shows and dancefloors everywhere (including Australia) with club-friendly tracks like “Shallow Nation”, “Former Self”, “Floorkiller” and “Situations Like These.” Ironically, it’s often been their less dancefloor-oriented tracks that have stuck out more, and, thankfully, new album The Soul is in the Software (due out later this month) has quite a few of these, as well as toying with new vocal styles and rhythms more often employed by other stalwarts of the EBM scene, Covenant and VNV Nation.

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