New Order: Music Complete (2016).

At almost sixty-five minutes, New Order’s tenth studio album Music Complete. On vinyl it is provided as an impressive heavy-grade double album with an abstract cover design by Peter Saville, which reminds one of True Colours by Split Enz or a 1980s L’Oreal advertisement. With no sense of embarrassment, the album also includes a twelve page booklet of blank pages and uncoloured designs. This ill-considered use of the planet’s declining arboreal biomass can possibly amuse children for a couple of hours as they provide a more interesting expression of colours. As is the fashion with albums these days a digital download code is also provided.

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Links.

“If you think it’s about the music, you’ve already failed.” The pop culture legacy business, and why Kurt Cobain is still a huge star.

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New Order and the Australian Chamber Orchestra, Sydney Opera House, June 4, 2016

The concert hall of the Sydney Opera House is, of course, one of the world’s great venues. Filled to capacity of over two-and-half thousand the audience were displaying an enthusiasm that would continue throughout the night. Although older on average, there was a fair sprinkling of younger faces indicating that the reputation of one of the world’s great electronic and synth-pop bands was still continuing.

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No: Once We Were Scum, Now We Are God (1989).

This is the finest album by the great Australian band No, featuring Ollie Olsen when he was still angry, before he discovered MDMA and made Third Eye. It’s a live album. I got the record when it came out in 1989 and played it every day for a few months. Invigorating and cheering music that will brighten your soul.

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My problematic favourite: William S. Burroughs.

I admire old Bill for all sorts of things, none of which are his personality, murdering his wife, fucking up his son or misogyny so jawdropping he literally made it into an artform. I wonder what signifiers wearing a Burroughs shirt would have in 2016 as opposed to 1996 (“yeah yeah you’re hip go away”) or 1986 (“who?”).

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Get lost. Don’t lie.

Plans are afoot for Rowland S. Howard to get his own disreputable dark alleyway. Well, it worked before! (Is RSH Lane actually dark?)

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FUC51.

Aggressive ahistoricality is a problem, but so too is the dead hand of nostalgia, follow the subjects of the nostalgia back when it wasn’t

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