23 November.
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The way it’s done in books.
23 November.
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The scourge of music bloggers shall be dealt with.
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That coulda been me up there! Possibly.
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The “Content Creators Coalition” is particularly stupid and hilarious.
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Today’s post, over on the blockchain blog, is about Ujo Music’s second attempt at music on the blockchain. You’ll be unsurprised to hear that yet again they fall down the stairs, hitting their head on every step on the way down.
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t h e r e s a m a y p o r w a v e
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Join the exciting and lucrative[citation needed] world of music blogging!
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You can guess who makes it big from streaming, and it’s not Spotify.
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And Dave Graney on video, just because.
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It’s all about the bleep, even with guitar, bass and drums.
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And me on BBC Newsnight! (Not about music.)
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And some stadium chiptune.
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That’s three links, not two.
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And the Haçienda is still in popular culture. And Makoto Kino.
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This is your future if you live your life right.
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And to celebrate, a picture of Mr. Bitcoin.
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Music journalist upset at not being able to put the boot in any more? YOU ARE NOT SHORT OF TARGETS.
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IT IS OUT! PEOPLE QUITE LIKE IT!
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Jeph Jacques, author of Questionable Content, has a fictional instrumental metal band. And they’re really good.
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Rocknerd is not a reliable path to artistic effect, but when it works, it’s not bad.
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My book is scheduled! Sign up to give me your money!
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More artistic pursuits today.
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It’s a much more dot-com new economy payola. The Uber of payola.
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More news during the tinnitus hiatus.
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The net neutrality article is particularly important.
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“But thanks julian lennon for stopping me from becoming a supervillain hellbent on destroying the entire nation of britain for good.”
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A pretty chill selection on the joy of art. And some schadenfreude for Kim Dotcom.
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Eamonn Forde opines at The Quietus that the reports of the record industry’s rebirth are greatly exaggerated.
You’d almost think there’d been some sort of horrifying plummet in people’s financial circumstances.
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I am sceptical of the “data-driven approach” to cultural discovery. It reifies statistical artifacts, filter bubbles and faces seen in clouds.
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It’s not like people want the (literal) tons of old editions of these records on vinyl.
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