Depeche Modeish EBM, sp00ky goth EBM, instrumental EBM.
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Depeche Modeish EBM, sp00ky goth EBM, instrumental EBM.
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Origin unknown.
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Why does the history of punk rock seem so relentlessly white and male, when that’s nothing like how it happened? Well, you know why. And so does Viv Albertine of the Slits.
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Floaty EBM, instrumental EBM, industrial punk.
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Rocknerd uses Kubrick, the most tediously basic WordPress theme that was all the rage in 2008. It’s possible we could do with an update.
So! I would welcome your valued suggestions on how to make the site look more like an interesting and perspicacious music magazine. Free themes by preference, we’re not big on budget resources around here …
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YouTube, record company accounting, Tidal.
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Two industrial, one post-punk, one synthpop, one indiest indie.
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I named my old fanzine Party Fears after the hit single by the Associates, so I’ve always had a soft spot for them.
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Ringo Starr, Frank Zappa and Record Store Day evaluated.
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The Beach Boys’ worst record, the disco record that beats it, and when disco got good again with Jimmy Cauty and the KLF.
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Will York, in the San Francisco Bay Guardian, helpfully explains for us the cookie monster vocal in death metal.
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See that box at the right of the page saying “Subscribe to Rocknerd via email”? It does what it says. Sign up and you’ll never miss a post. Good, huh.
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The new release pile on Bandcamp is more work than it looks.
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Australian ‘80s indie rock band the Arctic Circles never made a huge impact and remain mired in obscurity, but their two records (the single “Angel” in 1985, the mini-LP Time in 1987 featuring “Wasp”) were well-received, did okay on an indie level and you couldn’t get away from them on public radio. The style is the ‘60s garage punk stuff popular in Australia at the time. Still sounds pretty fresh in 2016.
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Beware the dangers of trance and the cult of the DJ. Don’t fall for … the trance cracker. An informative tract that you can give your friends copies of!
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This is Alixandrea Corvyn, of Last July and Rhombus and various previous bands. It’s a cover of “White Rabbit”, but with this grasp of imagery she’s on the right track. This video is just made to be cut up into stills and GIFs and reassembled into viral Tumblr posts.
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A wonderful 2010 documentary from BBC Four, covering the late ’70s synthesizer bands. Interviews with the (original) Human League, Depeche Mode, Orchestral Manoeuvres, Vince Clarke, Gary Numan, New Order and the Pet Shop Boys.
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Quite a lot of music software comes with a random riff generator. This stuff isn’t hard. But now it’s convenient as well.
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Apropos to sociological conditions in the early 1990s, here’s Nirvana just after Nevermind hit big.
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I’ve seen Severed Heads three times. First time was Perth in late ‘91 on the Volition Records “An Intro To Techno” package tour. At this point “techno” still specifically referred to original Detroit techno; the pounding four-on-the-floor stuff the KLF were topping the charts with was various hyphenations of “-house”. Volition almost certainly meant something a bit more like “industrial”, but for some reason people then seemed reluctant to say that word with a straight face.
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Scattered Order are an Australian noise band who are probably “industrial”, but you never see them in any lists of industrial bands, and that’s just wrong. They have never been popular in any sense. They remain good and important, however, and have persisted. Modulo a decade’s break here and there.
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An old favourite, the first track from the Laughing Clowns’ first album, just after Ed Kuepper split the original Saints.
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Back in the ‘90s, sociologists and students seemed desperate to find anything resembling a subculture to write about. I ran a fanzine, remember, and was fending off calls regularly. They were a plague. This was just before Nirvana hit big. It was blindingly obvious to everyone in indie rock that someone was going to hit super-big at some point.
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No time for a proper post today, so have a silly meme image.
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Kaitlyn and Matt Hova have put up the files to 3D-print your own violin. Or you can buy parts or a fully-printed example from them. It’s still at the stage of doing it because you can, but it’s actually not terrible.
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Back in The Day™ (1989), everyone compared My Dad Is Dead to Joy Division. Really, every review. Like they couldn’t think of anything else to say.
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If you’re going to suffer unresolved literary trauma, you should get it from a title like that, which you will be unsurprised to hear is far and away the best thing about the book.
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A marvellous BBC radio documentary in two one-hour parts on disco king Giorgio Moroder, focusing on his work in the late ’70s and early to mid-’80s.
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