A fun listen if you know who Marsh and Ware are, and it gives you a good idea of how they were thinking.
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A fun listen if you know who Marsh and Ware are, and it gives you a good idea of how they were thinking.
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Yasutaka Nakata‘s much-anticipated synthwave masterpiece.
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You’ve never heard of current pop stars because they aren’t actually popular in mainstream culture.
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Can’t wait for Spotify to offer streams of generated nonsense music. And see if the record companies can spot the source tracks it was trained on.
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Your mission: document the resonant frequencies, and come up with an enormously popular banger of a tune that hits all of them.
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Musicians who have a casual attitude to the continued use of their eyes may want to look over this advertising image and see if they can spot a single thing right about it.
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Is this thing on? Have a couple of records.
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Two are actually from this year!
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Old industrial musician from way back makes a new album during lockdown; android pop star turns grunge rocker.
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It’s blatant advertising time now, with the new CD from Arkady Rose of this parish just released today!
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This is the last of the B-Side for the moment. I have a few scraps of other stuff to put up …
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And a four-page cartoon in the middle.
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Frankly, I’m most surprised Al Jourgensen is still alive. Good luck to him.
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I’ve had these long enough, now you can have them too and I can close some tabs.
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In fairness, as the big bloke with the long hair and the leather jacket, if I were the police I’d have stopped me.
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More procrastination on other things!
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I basically commend all of this coverage.
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Well, this is an obscurity I never expected to hear online.
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Remember when you could get this sort of goodness for a dollar?
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B-Side was the Australian indie rock fanzine of the time. Just slabs of text about good bands and records. I straight-up lifted its format for Party Fears.
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It’s all a rhythm instrument, dry and direct.
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And that about wraps it up for Vortex!
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I’m on a roll here, or I’m procrastinating like hell on other things.
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I said previously I’d have the rest of Vortex up by the end of 2020, no worries. This proved incorrect.
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Snog have embodied the virtue of consistency for the past thirty years.
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Jamie Halliday had stopped doing Audio Antihero, but has revived the label for this compilation.
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Also: the Terminator comedy dick puppet remix technique.
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Art is ephemeral. The text changes out from under you. Particularly when the text is a Severed Heads album.
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A pretty good slab of extruded Solar Fake product.
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Less Nirvana and more Fugazi, and no fashionability whatsoever. “The kind of rock that was 20 years past its expiration date.”
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