Everyone’s familiar with Lords of Acid at a basic level, right? Dark electronic erotica? Techno songs about fucking? It’s all very nineties. Pretty in Kink was released in May 2018 but still puts out the oldschool LoA vibe.
Read MoreAuthor: Alli K
Blacklab: Under The Strawberry Moon 2.0 (2018).
Hey, are you interested in letting a couple of women from Osaka just completely melt your fucking brain? If so I have found the album for you.
Read MoreThe Twinkles: We Come Along (2018).
A 10 song album that is everything you’ve been looking for if you’re sad that The Vandals haven’t had a full length release since 2004.
Read MorePastoratet: THLM (2018).
A nice combo of hardcore and surf punk, it’s got a mellow, melodic feel that edges toward pop-punk but brings in just a tiny bit of metal to keep an edge to the sound.
Read Morerosewater: Love Bomb, rosewater AKA (2018).
Both little works have great songs on them but Love Bomb is mind-blowingly perfect. Clark and Brooke’s voices and guitars blend into a sweet, grungy, fun sound.
Read MoreDENY: Parasite Paradise (2018).
Barely intelligible lyrics, fast, simple-guitar lines, and overwhelming drums.
Just as God intended, damnit.
Read MoreStelliferous: Canine Familiar (2018).
Ugh, it’s actually irritating how much I like this record. It’s like a white noise machine for ADHD.
Read MoreShezoo: Agony Of Doubt (2018).
Agony of Doubt is a fun, fantastic, big-hair-eighties-style metal album that goes hard and fast but stays fun the whole way through.
Read MoreRyder: For What It’s Worth (Live) (2018).
Buttrock band.
Read MoreFelix Colgrave: Royal Noises from Dead Kingdoms: The Music of Double King (2018).
Colgrave’s animation is beautiful. It is alternately stark and lush, full of repeating patterns and startling aberrations and the score, Royal Noises from Dead Kingdoms, mirrors the hypnotic visuals in its layered, thoughtful construction.
Read MoreNekrogoblikon: Welcome to Bonkers (2018).
A lot of metal is full of goofy bullshit, a lot of which is very somberly growling about satan, hell, torture, shit, darkness, and other suitably grimy and nasty metal things. And sometimes it turns out that goofy bullshit is pure, distilled perfection and the concentrated essence of joy.
Read MoreThe Cascades: Diamonds and Rust (2017).
While the rest of the world moves, changes, shifts, reshapes itself, and discovers irony you can always return to the comforting refuge of goth rock.
Read MoreNemesis Inferi: A Bad Mess (2018).
The record is a solid piece of work with plenty of power. A sound that wavers between groove and thrash from song to song.
Read MoreNervenbeisser: Zeitenwandel (2017).
If you’ve been hankering for some growly Germans who make music that complements PVC outfits and stompy dancing, Nervenbeisser might be for you.
Read MoreThe Frozen Autumn: The Fellow Traveler (2017).
Are you into synthpop? Do you believe in heaven above, do you believe in love?
Read MoreAndrew W. K.: You’re Not Alone (2018).
How do you feel about relentless positivity and good cheer? I’m a bit cynical about it myself, but once in a while something comes by that slaps a smile on your face and won’t get out of your head.
Read MoreProto Idiot: Leisure Opportunity (2017).
A bright and delirious combination of garage punk, psychedelic rock, and addictive joy.
Read MoreParagon Collapse: The Dawning (2017).
Atmospheric progressive doom metal from Romania.
Read MoreJeph Jacques, Questionable Content and Deathmøle.
Jeph Jacques, author of Questionable Content, has a fictional instrumental metal band. And they’re really good.
Read MoreOcean Mind: Underwater (2016).
Organic prog from Ocean Mind’s 2016 album Underwater.
Read MoreMetal reviews: Blutzukker, Pulvis et Umbra (2015, 2016, 2017).
Metal reviewed by Alli K. In particular, watch the Lego video.
Read More