Obviously I’m just jealous of the audiophiles.
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Obviously I’m just jealous of the audiophiles.
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Why buy when you can trust other people’s computers? I’m sure services will never suddenly disappear or block paying customers.
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An audacious innovation in the “high-resolution audio” field: hi-res audio that does lossy compression. And the record companies love it.
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“It’s not a hard instrument, actually. People think synthesizers are difficult and mysterious, but in about a day you can understand how to use it. In about five years you can understand how not to as well.”
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A pretty chill selection on the joy of art. And some schadenfreude for Kim Dotcom.
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Licensing is hard. Why not use some bulk filler instead.
(sex, uh, sex uh, crime, cry cry cry cry crime, crime)
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Some telly to finish your day.
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There’s a lot of money in trying for a few hundred quid out of home Internet users. Well, sometimes.
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Remember eMusic? I was a happy customer back in the day.
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Most of what hits the Rocknerd inbox is industrial, prog, metal or industrial prog metal. I have no idea why.
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Bram Cohen, Kim Dotcom and David Gerard. Only blockchains bind them.
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Warner has signed a completely expected deal with YouTube, because they do great business with each other and fully wish to continue. The music industry is hilariously outraged that Warner did the obvious deal with a fantastic and essential publicity outlet.
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I’m sure Harry Styles will categorically deny that anyone from any of his teams paid anyone to do anything whatsoever toward this chart rigging effort. Any moment now.
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Vaporish synthpop, sci-fi concept EBM and punk rock heavy on the rock.
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I automatically staked out my life-long spot at stage right, leaning on the PA. I grabbed this spot in 1985 and shall not relinquish it.
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Eamonn Forde opines at The Quietus that the reports of the record industry’s rebirth are greatly exaggerated.
You’d almost think there’d been some sort of horrifying plummet in people’s financial circumstances.
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I am sceptical of the “data-driven approach” to cultural discovery. It reifies statistical artifacts, filter bubbles and faces seen in clouds.
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And Rocknerd’s wise words on Blockchain reaching a wider audience.
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A benefit compilation of indie pop delights.
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Our robot friends move into the acoustic version too.
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It’s not like people want the (literal) tons of old editions of these records on vinyl.
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Folky songwriter guitar rock that’s excessively fond of Neil Young and knows it.
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A detailed examination of why music industry Blockchain (capital B) dreams are not going to work out.
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Ongoing sagas that remain perennial bad pennies of stupid.
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Ignoring the previous National 8-Track Day, of course.
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You need to see the ideas for music software interfaces.
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Perth ’80s industrial synthpop duo, who have returned with an album at last.
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Some fun with DRM, BitTorrent and the legal streaming money never reaching the artists anyway.
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From the bowels of time, Vortex, Perth, December 1986.
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A couple of atmospheric pop collections.
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