I’m treating this as a good live record with a bonus studio compilation. This selection hangs together.
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I’m treating this as a good live record with a bonus studio compilation. This selection hangs together.
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The last time I saw Placebo was the Kerrang Big Day Out at the Milton Keynes Bowl in 1999, when Metallica headlined. I crewed that one.
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One for those who understand that Arc is the best Neil Young live album.
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Tales from 1986, when I was nineteen and just embarking on making my youth suitably dissolute.
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It made friends with me within the first three chords of “Blockbuster.”
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Eventually indie folk rockers make it clear which Beatle they modeled their approach on.
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I like to put an R.E.M. mix on while I’m baking. But only the ones that include Man on the Moon.
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I’m sulky mainly because of the band name, which causes me to think muffled cross thoughts about failed social policy. But the name harmonizes well with the band’s overall vibe, which is “skate park during the golden hour.”
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The blogging equivalent of sitting in the garage twiddling radio knobs just to see what might be out there.
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Some of these are old. Some of them are new(ish). They are all songs I listened to, with varying levels of obsessiveness, at various times during 2022.
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In times past your author would have expressed a positive indifference to most of the bands of these broad British genres of the early 90s, and that opinion largely still holds.
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I am forced to begin with the fact that I began my descent into a Snow Patrol-shaped spiral by confusing them with the Arctic Monkeys.
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Two are actually from this year!
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Old industrial musician from way back makes a new album during lockdown; android pop star turns grunge rocker.
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This is the last of the B-Side for the moment. I have a few scraps of other stuff to put up …
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And a four-page cartoon in the middle.
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In fairness, as the big bloke with the long hair and the leather jacket, if I were the police I’d have stopped me.
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More procrastination on other things!
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I basically commend all of this coverage.
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Remember when you could get this sort of goodness for a dollar?
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B-Side was the Australian indie rock fanzine of the time. Just slabs of text about good bands and records. I straight-up lifted its format for Party Fears.
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Less Nirvana and more Fugazi, and no fashionability whatsoever. “The kind of rock that was 20 years past its expiration date.”
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A good new thing and an old new thing.
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If the year was from the ’80s it was guaranteed to totally suck.
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The Celibate Rifles’ official Facebook posted a link to what turned out to be their last gig — Corner Hotel, Melbourne, 19 May 2018. Here’s the complete video.
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Mary Byker being precisely the right amount of too clever for his own good is a pleasing surprise when clearing down the review pile.
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Some new pre-punk pop-rock, and a remixed favourite.
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Metal Disco is today’s pleasant surprise winner.
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Dew and Irk are both remarkable finds and produce the correct horrible racket, though the loved one compared Irk to a sack of hammers falling down stairs.
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A party that everyone’s been looking forward to for weeks. They seem to be having a wonderful time.
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