You need to see the ideas for music software interfaces.
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The way it’s done in books.
You need to see the ideas for music software interfaces.
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From the bowels of time, Vortex, Perth, December 1986.
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“Can music journalism exist at all?” “Do Music Journalists Matter Anymore?” I mean, if you have to ask …
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There is no “cloud”, there’s just someone else’s computer. Will we find a listener who cares?
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From the bowels of time, we bring you Vortex magazine, Perth 1986-1987.
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“First he put the bomb under the ramp instead of the truck, and the other truck was the one with most of the stuff inside.”
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Essays, pointers and rambling opinionation on UK punk and post-punk.
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We secede from irony. Sincerity will pervade even our lies, and especially our lies.
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Also, Wikipedia started sixteen years ago today.
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You should definitely put some money into this Kickstarter.
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Side-Line indulges a straight-up Nazi, Nielsen buys Gracenote metadata, random Burroughs readings from The Naked Lunch.
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Essays on aesthetics.
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The important thing is to wear a fetching Skullcandy hat like the one up there.
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Spotify rejects SoundCloud again, ten 808 greats, the Legendary Pink Dots and you awful millennials.
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How much money one musician actually makes striking out as an independent, the Pakistani music industry, responding to recruiters and Ricardo Autobahn and Spray.
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Jon Langford’s time as a part-time g*th, J. G. Ballard’s house is for sale again and your headphones can be used to spy on you.
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I have finished the raw first draft of the Bitcoin/blockchain book. Current word count 30,410 (or 35,546 if you include the footnotes). This was supposed to be a 15,000 word rant before lunchtime …
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The sound with the Pearl becomes lighter and has less impact and detail compared to the Supra. Stereo image shrinks, but more obvious is a reduction in detail. Changing to Cinnamon with only one switch in my network produces a surprising result.
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A beautiful and apposite William S. Burroughs reading, and some classic rock faff.
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The blockchain book I’m writing; a couple of short excerpts from the music section I drafted about half of today.
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A new Pop Group album (and it’s good!), the last Birthday Party record, the truth about Plastic Bertrand and a book about Düsseldorf.
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Post-punk’s favourite writer, who didn’t listen to music himself. It’s all about the imagery.
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The ultimate in merchandising, reviving an old gadget, Dylan as writer, me as writer.
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German Fall fans in a round-table discussion. Be sure to watch to the end.
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Pavarotti’s “Blitzkrieg Bop”, Kill Your Pet Puppy retrospective, a contemporary punk novel, Manchester punk history, Czechoslovak punk history, Scottish post-punk history and a children’s picture book on punk. The secret histories.
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This purports to be the story of the last twenty years of the record industry, told by one of the kids who collected MP3s in his college dorm just before Napster. It isn’t the story of the MP3 revolution, but it is some stories, only one of which is seriously important to the claim in the title. But the details mostly aren’t wrong.
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Every field has its standard ways to fuck up.
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Secrets of the stars!
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The thing that really struck me about Hugo vote-stackers the Sad Puppies was founder Brad Torgersen’s lament that he could no longer tell from the cover of a science fiction novel what it was about.
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Online streaming, ’70s music technology and ’90s record shops.
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