Consumer markets, a nice Patricia Morrison interview and the 1938 Novachord.
Read MoreMore eyegouging eastern European rap video for your delectation.
After yesterday’s wonder of the pop video maker’s art, we have a couple more. Here’s Russian rap act Little Big, whose dick is very very big.
Read MoreThe worst video you will see today: “Winaloto” by Tommy Cash.
Estonian rap. The genre is “trap-pop”, apparently. The video itself is probably not worksafe, though technically within YouTube rules.
Read MoreStrap On Halo: Altar of Interim EP, Prayers for the Living CD (2016).
Strap On Halo are a goth rock band from the goth scene. This is unfortunate, insofar as not even current goths are interested in current goth music — it’s a subculture of new clothes and old music.
Read MoreIndustrial reviews: Shiny Darkness, Psychicold, Alexander Fetuekow/2AF (2016).
Depeche Modeish EBM, sp00ky goth EBM, instrumental EBM.
Read MoreThe guy who called his band Suicide dies of old age.
Useful signage for the turntable.
Origin unknown.
Read MoreViv Albertine corrects British Library exhibition on punk.
Why does the history of punk rock seem so relentlessly white and male, when that’s nothing like how it happened? Well, you know why. And so does Viv Albertine of the Slits.
Read More65daysofstatic: No Man’s Sky (2016).
Averaging one studio album every three years, the classic math rockers, 65daysofstatic are right on time with their latest release, the official soundtrack to the video game No Man’s Sky.
Read MoreIndustrial reviews: Psy’Aviah, Gamma 10, L.O.T.I.O.N.
Floaty EBM, instrumental EBM, industrial punk.
Read MoreSuggest a new theme for Rocknerd!
Rocknerd uses Kubrick, the most tediously basic WordPress theme that was all the rage in 2008. It’s possible we could do with an update.
So! I would welcome your valued suggestions on how to make the site look more like an interesting and perspicacious music magazine. Free themes by preference, we’re not big on budget resources around here …
Read MoreIndustry links: YouTube, RIAA mathematics, Jay-Z’s Tidal.
YouTube, record company accounting, Tidal.
Read MoreReviews: nTTx, Foot Spa, Kites With Lights, Stars Crusaders, Kepler.
Two industrial, one post-punk, one synthpop, one indiest indie.
Read MoreA nice interview with Alan Rankine of the Associates.
I named my old fanzine Party Fears after the hit single by the Associates, so I’ve always had a soft spot for them.
Read MoreLinks: Opinionated record nerds on Ringo Starr, Frank Zappa and Record Store Day.
Ringo Starr, Frank Zappa and Record Store Day evaluated.
Read MoreLinks: The lows and highs of the history of disco.
The Beach Boys’ worst record, the disco record that beats it, and when disco got good again with Jimmy Cauty and the KLF.
Read MoreThe cookie monster vocal explained.
Will York, in the San Francisco Bay Guardian, helpfully explains for us the cookie monster vocal in death metal.
Read MoreHey, sign up for the emails!
See that box at the right of the page saying “Subscribe to Rocknerd via email”? It does what it says. Sign up and you’ll never miss a post. Good, huh.
Read MoreReviews: Növö, Stop The Wheel, Binaural Silence (2016).
The new release pile on Bandcamp is more work than it looks.
Read MoreAn ’80s Australian indie rock band you should have heard of: the Arctic Circles.
Australian ‘80s indie rock band the Arctic Circles never made a huge impact and remain mired in obscurity, but their two records (the single “Angel” in 1985, the mini-LP Time in 1987 featuring “Wasp”) were well-received, did okay on an indie level and you couldn’t get away from them on public radio. The style is the ‘60s garage punk stuff popular in Australia at the time. Still sounds pretty fresh in 2016.
Read More“They’re explaining how a record sounds better when Tiesto plays it.”
Beware the dangers of trance and the cult of the DJ. Don’t fall for … the trance cracker. An informative tract that you can give your friends copies of!
Read MoreAlixandrea Corvyn makes her deserved bid for fame.
This is Alixandrea Corvyn, of Last July and Rhombus and various previous bands. It’s a cover of “White Rabbit”, but with this grasp of imagery she’s on the right track. This video is just made to be cut up into stills and GIFs and reassembled into viral Tumblr posts.
Read MoreSynth Britannia: the synthpop surge in ’70s Britain.
A wonderful 2010 documentary from BBC Four, covering the late ’70s synthesizer bands. Interviews with the (original) Human League, Depeche Mode, Orchestral Manoeuvres, Vince Clarke, Gary Numan, New Order and the Pet Shop Boys.
Read MoreA random riff generator, on the Web.
Quite a lot of music software comes with a random riff generator. This stuff isn’t hard. But now it’s convenient as well.
Read MoreLinks: Nirvana, fanzines, music as violence.
Apropos to sociological conditions in the early 1990s, here’s Nirvana just after Nevermind hit big.
Read MoreBandcamp synthpop: Tentacles, Mimus, Bestman (2016).
Severed Heads, Boxcar, Single Gun Theory and the Volition Records package tour.
I’ve seen Severed Heads three times. First time was Perth in late ‘91 on the Volition Records “An Intro To Techno” package tour. At this point “techno” still specifically referred to original Detroit techno; the pounding four-on-the-floor stuff the KLF were topping the charts with was various hyphenations of “-house”. Volition almost certainly meant something a bit more like “industrial”, but for some reason people then seemed reluctant to say that word with a straight face.
Read MoreScattered Order are alive and well.
Scattered Order are an Australian noise band who are probably “industrial”, but you never see them in any lists of industrial bands, and that’s just wrong. They have never been popular in any sense. They remain good and important, however, and have persisted. Modulo a decade’s break here and there.
Read MoreThe Laughing Clowns “Holy Joe” (1980).
An old favourite, the first track from the Laughing Clowns’ first album, just after Ed Kuepper split the original Saints.
Read MoreWhatever happened to all the sociologists, anyway? Not like the ones we had in the ’90s.
Back in the ‘90s, sociologists and students seemed desperate to find anything resembling a subculture to write about. I ran a fanzine, remember, and was fending off calls regularly. They were a plague. This was just before Nirvana hit big. It was blindingly obvious to everyone in indie rock that someone was going to hit super-big at some point.
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