Sounds like MiG 20 crack, huh? Over! Over!
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Sounds like MiG 20 crack, huh? Over! Over!
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Industrial and 2017 punk.
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Into the hot.
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Happy new year, probably!
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Neoreaction a Basilisk is finally out!
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More fun in the big world.
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These are places that are gone.
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The scourge of music bloggers shall be dealt with.
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t h e r e s a m a y p o r w a v e
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From the grey area between techno and industrial.
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And Laura Cortese and the Dance Cards.
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The last of a series of concerts, this one performing Unknown Pleasures and Closer.
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More blatantly an electronified Interpol than the previous, better recorded and a delight that fully measured up to my anticipations.
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In the 2010s, post-punks will tour forever.
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It’s all about the bleep, even with guitar, bass and drums.
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Seriously, check out the space bass.
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This is your future if you live your life right.
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Some news that’s actually timely and urgent!
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More artistic pursuits today.
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♪ How does it feel
When a new day has begun
When you’re drinking in the sunshine
Rocknerd is the one ♫
Complicated acoustic progressive sounds, and a bit of cheap synth.
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“There was a time when I asked Mark if he’d heard that ‘Under Pressure’ song that Bowie did with Queen and he just said, ‘Yeah! They ripped that bass-line off “An Older Lover” on Slates. ‘” — Brix Smith
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Minimal synth, EBM and Korean indie synth.
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Record reviews at last! Synthpop, shouty post-punk and grungy ’90s guitar pop. Some good stuff coming out over the next month.
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Angsty guitar post-punk and angsty EBM half way to Hi-NRG.
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Guitar post-punk in black and grey.
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A vastly underappreciated post-punk album of the female and funky variety, by a band substantially responsible for what became acid house as we know it.
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Vaporwave, ethereal post-punk pop and jangly punk-pop.
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Essays, pointers and rambling opinionation on UK punk and post-punk.
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New style, old style and old returned.
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