Buddhadatta describe themselves as Japanese buddhist-punk, which is an thoroughly enticing combination of adjectives.
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I want to be anarchy.
Buddhadatta describe themselves as Japanese buddhist-punk, which is an thoroughly enticing combination of adjectives.
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Cleopatra Records seems to have proposed the AI-vocal album, which is an extremely Cleopatra sort of move.
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Punk rock in early hardcore style through industrial electronics.
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Less Nirvana and more Fugazi, and no fashionability whatsoever. “The kind of rock that was 20 years past its expiration date.”
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The Celibate Rifles’ official Facebook posted a link to what turned out to be their last gig — Corner Hotel, Melbourne, 19 May 2018. Here’s the complete video.
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Dangerous Minds interviews Martin Rev, going through the recording process for the first Suicide album.
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The review pile is full of alternative buttrock industrial.
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What’s important to understand about entertainment from the 60s or 70s or 80s is that the entire audience is lead-poisoned, poisoning their kids with lead, pumping drugs cut with industrial solvents bought outside their kids’ schools, which are also poisoning the kids with lead.
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Dew and Irk are both remarkable finds and produce the correct horrible racket, though the loved one compared Irk to a sack of hammers falling down stairs.
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A 10 song album that is everything you’ve been looking for if you’re sad that The Vandals haven’t had a full length release since 2004.
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A nice combo of hardcore and surf punk, it’s got a mellow, melodic feel that edges toward pop-punk but brings in just a tiny bit of metal to keep an edge to the sound.
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Yeah, putting a Bandcamp embed into reviews is clearly the right thing.
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Both little works have great songs on them but Love Bomb is mind-blowingly perfect. Clark and Brooke’s voices and guitars blend into a sweet, grungy, fun sound.
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Barely intelligible lyrics, fast, simple-guitar lines, and overwhelming drums.
Just as God intended, damnit.
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“We’ll save music on the blockchain!” Ethereum can’t scale up to cat pictures.
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A document of anarchopunk of the late 1970s and early 1980. It’s short, but it’s cheap and a great read.
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A bright and delirious combination of garage punk, psychedelic rock, and addictive joy.
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Industrial and 2017 punk.
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Happy new year, probably!
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Plus John Cale on US TV game show I’ve Got A Secret in 1963.
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It’s all about the hook.
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23 November.
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The scourge of music bloggers shall be dealt with.
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t h e r e s a m a y p o r w a v e
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And Laura Cortese and the Dance Cards.
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And Tracey Thorn on the lyrical process.
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and thank you Twitter
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Letters to the Editor, Financial Times, 2 October 2017.
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Und Sisters gegen Nazis.
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A couple of indie pop guitar pieces.
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