Atmospheric progressive doom metal from Romania.
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Atmospheric progressive doom metal from Romania.
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These are places that are gone.
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Plus John Cale on US TV game show I’ve Got A Secret in 1963.
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Music nerds mostly won’t have suffered the sort of thing software nerds hear as part of their culture. Includes the techno remix and a version of the actually really good original.
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It’s all about the hook.
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My restrained and professional assessment of the incompetence and stupidity all through the Björk cryptocurrency project was reasonably popular and widely read. This expanded version adds what I was actually thinking when writing up this collapse board cascade of slapstick coded-by-dildo incompetence.
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Classic power balladry with synths instead of guitars. The air-punching choruses remain. Every side an A-side.
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23 November.
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Suppose I’d better cut the pile down a bit again.
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The scourge of music bloggers shall be dealt with.
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The soundtrack is deserving of a short review in its own right, not the least for its own curious development.
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That coulda been me up there! Possibly.
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On the most unexpected political alliance of the year: the Juggalo youth subculture and organised socialism.
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The “Content Creators Coalition” is particularly stupid and hilarious.
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Today’s post, over on the blockchain blog, is about Ujo Music’s second attempt at music on the blockchain. You’ll be unsurprised to hear that yet again they fall down the stairs, hitting their head on every step on the way down.
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t h e r e s a m a y p o r w a v e
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From the grey area between techno and industrial.
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And Laura Cortese and the Dance Cards.
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Two marvellous bands you need to pay attention to.
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And Tracey Thorn on the lyrical process.
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The last of a series of concerts, this one performing Unknown Pleasures and Closer.
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More blatantly an electronified Interpol than the previous, better recorded and a delight that fully measured up to my anticipations.
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Join the exciting and lucrative[citation needed] world of music blogging!
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and thank you Twitter
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You can guess who makes it big from streaming, and it’s not Spotify.
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In the 2010s, post-punks will tour forever.
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And Dave Graney on video, just because.
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Letters to the Editor, Financial Times, 2 October 2017.
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No DRM that people were interested in breaking has ever stayed unbroken.
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Und Sisters gegen Nazis.
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