An excuse to get Perth bands into a published record chart, so they’d get some publicity and could use it in their marketing. And to propagandise Australian indie to the masses. Includes THE HITS OF 1989!
Read MoreAuthor: David Gerard
Records: The Rolling Stones, Deerful, Benjamin Shaw (2016, 2018).
A party that everyone’s been looking forward to for weeks. They seem to be having a wonderful time.
Read MoreLinks: EBM is trendy, managing the Rolling Stones, Swiss modernist post punk, egregious YouTube content filtering.
Post-punk albums in the style of 1960s Penguin nonfiction paperbacks.
Read MoreReviews: Aboleth, Zanias (2016, 2018).
Writing about music is the most ridiculous notion, and the review pile is only getting larger. So I’ll give just embedding players and mumbling something a go. This works for me, and that’s the important thing.
Read MoreLinks: Spotify metadata, VU meters, songwriting camps, Disney defends fair use, the history of Smash Hits.
Twenty deadly diseases.
Read MoreLinks: Why the Rolling Stones suck, “fake artists,” ’80s remixes of current pop, ABBA, Philip Glass and S-Express, YouTube Music.
The Rolling Stones piece certainly answers for me the question “why could I never get into this stuff?”
Read MoreVortex #3, March 1987: Triffids, Ed Kuepper, Greg Dear, Kno Matter, White Cross, OMD, Paul Weller.
Yes, I finally got Vortex #3 cleaned up and online.
Read MoreReviews: Marsy, Dot Dash (2018).
Yeah, putting a Bandcamp embed into reviews is clearly the right thing.
Read MoreLinks: eMusic can’t pay its bills, nobody buys CDs, catalogue prices, majors upset Spotify not rolling out the red carpet.
Welcome to the music industry! Here’s your accordion.
Read MoreeMusic releases its blockchain ICO plan! … it’s not very good.
eMusic’s plan: 1. Collect a large pile of money. 2. Write an all-new music platform that does everything! 3. Pay people in eMusic magic beans.
Read MoreLinks: Windowing is passé, piracy lawyers go to jail, MP3 “restoration,” Damo Suzuki.
I blame the delay on blockchain. Taking a while between confirmations.
Read MoreInterview: Gina Cimmelli — My Little Lies (2018).
A brilliant five-track indie pop EP. And my first musician interview in a couple of decades.
Read MoreStreaming links: 24,000 new tracks a day, Spotify as label, streaming pays better than radio.
And foreshadowing of Monday’s long-form post.
Read MoreLinks: World In Motion, pirates, kids listen to Swans, Irmin Schmidt.
“If there’s one group who can capture the spirit of bitter infighting that typifies being in a World Cup squad …”
Read MoreLimb: Saboteurs of the Sun (2018).
Excellent fare for people who really enjoy Tolkein. A supernatural tone and a solid pounding that most anyone who likes heavy prog will appreciate.
Read MoreReripping the CDs, as you do.
Here’s to cdparanoia and EAC, to turn the music trapped in the silver abominations back into the pure data they were meant to be.
Read MoreRichard Syrett on Theodor Adorno, the Beatles, conspiracy theorists and … me.
Did you know that Frankfurt School philosopher Theodor Adorno wrote all the Beatles songs? I sure didn’t! In fact, I still don’t.
Read MoreYouTube Music: your move, Spotify.
Good thing I eventually got that Spotify article done, hey.
Read MoreLinks: Albini on In Utero (again), the inbox flood, Level Music, blockchains (again).
“We’ll save music on the blockchain!” Ethereum can’t scale up to cat pictures.
Read MoreHow to make Spotify suck less than YouTube for streaming.
I actively try to use Spotify, because I like the idea that the artist will get at least a penny shaving. So why do I keep just using YouTube? Because it’s not a goddamn pain in the arse.
Read MoreMark Rye: Inside Looking Out: More Rock’n’Roll tales from inside the British music business (2017).
First-hand tales from the people down in the engine room.
Read MoreHARKII Of Sound Mind podcast Episode 1: “Why I don’t think blockchain will change the music industry.”
In which I go on a podcast and talk about why blockchains are still trash, particularly for music. Don’t fall for resentment-based marketing!
Read MoreGary Miller: Anarcho-Punk Albums: The Band’s Story behind Anarchist Punk Music (2018).
A document of anarchopunk of the late 1970s and early 1980. It’s short, but it’s cheap and a great read.
Read MoreLinks: High-Definition Vinyl, Brian Hooper RIP, Eventbrite’s we-take-all ticketing contract.
At least Twitter reaps a bountiful harvest these days.
Read MoreLinks: Spotify windowing, Spotify and The Pirate Bay, industry shows piracy correlating with music industry success, Section 26.
The record industry is being blustering idiots about piracy again.
Read MoreOh, eMusic, no — don’t go blockchain! Another Kodak moment.
It looks like eMusic’s attempt at a comeback last year didn’t work out so well. Behold: the eMusic Blockchain Platform! … a Kodak moment indeed.
Read MoreWhite Cross: Take heart. You’re not alone.
Australian indie guitar favourites from the late 1980s, their complete catalogue available once more.
Read MoreLinks: Dragon Ball Super mass piracy, origin of the gated reverb snare, the return of illegal raves.
Plus Salman Rushdie’s disco turn, and “Ace Of Spades” played on an actual spade.
Read MoreLinks: NME goes out of print, write about music anyway, Qwant music search, how to write a hit in 2018.
Choreography about architecture.
Read MoreReviews: Cloud, LisaWars (2017, 2018).
Cinematic indie pop and some NDW revival.
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