It was never going to be easy to live up to that earthshattering series of singles, but I should not be thinking “yes, yes, get on with it.”
Read MoreCategory: Dance
It’s got a beat and you can do architecture to it.
Capsule: Metro Pulse (2022).
Yasutaka Nakata‘s much-anticipated synthwave masterpiece.
Read MoreMissed Connections: Happy Mondays.
I had an epic musical missed connection when I confused the Happy Flowers with the Happy Mondays, and didn’t realize what had happened until thirty-odd years later.
Read MoreShelf-reading at Bandcamp: Industrial — Leæther Strip, Metal Heart, Master Boot Record, Pertubator (2022, 2023).
Yeeeeeahhhh that’s the 2nd floor of Slimelight GOOD STUFF, y’all.
Read MoreFive slabs of listening from 2021.
Two are actually from this year!
Read MoreRecords: Slow Down Molasses (2021), Shriekback (1989).
Also: the Terminator comedy dick puppet remix technique.
Read MoreGrum: Deep State (2019).
Experientially and holistically, this is a thoroughly enjoyable piece of work of which Grum can be pretty proud of.
Read MoreUnderworld, June 1st, 2019 Sydney Opera House
Possibly one of the most iconic progressive house bands of the 1990s, Underworld’s appearance at Sydney’s Vivid light and sound festival was exceptionally appropriate.
Read MoreLinks: Mark E. Smith, keeping Nazis out of punk, have you heard about Napster?
Suspended in gaffer.
Read MoreCryptorave: Arpanet, M.E.S.H., Amnesia Scanner — Romantso, Athens, Saturday 16 February 2019
Excessive quantities of pseudish babble wrapped around a surprisingly good live techno gig.
Read MoreLords of Acid: Pretty In Kink (2018).
Everyone’s familiar with Lords of Acid at a basic level, right? Dark electronic erotica? Techno songs about fucking? It’s all very nineties. Pretty in Kink was released in May 2018 but still puts out the oldschool LoA vibe.
Read MoreLinks: EBM is trendy, managing the Rolling Stones, Swiss modernist post punk, egregious YouTube content filtering.
Post-punk albums in the style of 1960s Penguin nonfiction paperbacks.
Read MoreLinks: Why the Rolling Stones suck, “fake artists,” ’80s remixes of current pop, ABBA, Philip Glass and S-Express, YouTube Music.
The Rolling Stones piece certainly answers for me the question “why could I never get into this stuff?”
Read MoreLinks: World In Motion, pirates, kids listen to Swans, Irmin Schmidt.
“If there’s one group who can capture the spirit of bitter infighting that typifies being in a World Cup squad …”
Read MoreLinks: Dragon Ball Super mass piracy, origin of the gated reverb snare, the return of illegal raves.
Plus Salman Rushdie’s disco turn, and “Ace Of Spades” played on an actual spade.
Read MoreLinks: Andrew Hickey “Monkee Music,” Paul Morley and Propaganda, Kim Deal, YouTube finances, Bananarama and the legal system.
There are many legal inaccuracies and errors that Bananarama fall into here. I think it’s important that we address them.
Read MoreLinks: Rasa Didzpetris Davies genius of The Kinks, Milli Vanilli, Arthur Baker, Children of Satoshi.
Planet Rock. Nicht halt. Raza DIdzpetris is why the Kinks were that good.
Read MoreReviews: Phase Fatale, Christian Fitness (2017).
Industrial and 2017 punk.
Read MoreLinks: “Rasputin”, DIY Spotify payola, Thriller, Tommy Keene.
Please forgive my neglect, I love you really.
Read MoreReviews: Boy Harsher, Vittorio Di Mango, David Carretta (2016, 2017).
From the grey area between techno and industrial.
Read MoreReviews: Elektrostaub, The Frozen Autumn, Nervenbeisser (2017).
From the review pile, some forthcoming releases from Echozone.
Read MoreLinks: Goldman Sachs is full of it, streaming for DJs, why you can’t blockchain music.
And PlayMobil Joy Division.
Read MoreLinks: Students are broke, old 78s, bad VR hype.
And the Haçienda is still in popular culture. And Makoto Kino.
Read MoreReviews: Marsy, HYTS, Dreams Are Like Water (2017).
Time to go out looking for interesting new things.
Read MoreThe return of the KLF.
All bound for Mu-Mu Land.
Read MoreSynth links: Detroit techno, old gadgets, TR-08, Alan Vega, making your synthesizer fart.
The one thing anyone wants from a new synth.
Read MoreJeph Jacques, Questionable Content and Deathmøle.
Jeph Jacques, author of Questionable Content, has a fictional instrumental metal band. And they’re really good.
Read MoreLinks: Declining guitar sales, I Feel Love, tinnitus.
And The Damn Book.
Read MorePurple Fog Side: The Discord (2017).
A Russian band who call themselves goth and play trancy techno pop on an industrial label.
Read MoreLinks: Studio 54, Rage, The KLF.
And Rocknerd’s wise words on Blockchain reaching a wider audience.
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