A couple of atmospheric pop collections.
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It’s got a beat and you can do architecture to it.
A couple of atmospheric pop collections.
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“There was lots and lots of good music that was actually made but it never saw the light of day because it wasn’t Kim’s taste. His taste is what you can hear on that fucking atrocious album that actually got released.”
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Search for dance mixes on YouTube and play them right there.
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A vastly underappreciated post-punk album of the female and funky variety, by a band substantially responsible for what became acid house as we know it.
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This, this is awesomeness. Jim Hopkins is doing God’s work here.
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The sounds, the rhythm and the pop structure. Three good finds today.
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The accessible and the inaccessible.
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A cheering selection, from old and new bands.
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Spotify rejects SoundCloud again, ten 808 greats, the Legendary Pink Dots and you awful millennials.
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How much money one musician actually makes striking out as an independent, the Pakistani music industry, responding to recruiters and Ricardo Autobahn and Spray.
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Have some more links, this time with a video.
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I have finished the raw first draft of the Bitcoin/blockchain book. Current word count 30,410 (or 35,546 if you include the footnotes). This was supposed to be a 15,000 word rant before lunchtime …
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’90s style industrial, early ’70s style songwriting, two dance non-reviews.
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Exploring new frontiers in obsolete technology, why Brexit will affect UK music precisely how you think it would, and the state of Neil Young’s Pono.
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So I use the Bandcamp new arrivals as a radio, so what, so should you. Jangly guitar indie, goth-industrial dance and some straight-up vaporwave.
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Thanks to Paul Haesler for tipping me off to this inspiring work after he saw the Polka Floyd video yesterday.
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Acoustic songwriter guitar rock, new wave disco, pounding futurepop EBM and Russian post-punk revival.
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Back in the day, A Certain Ratio were regarded by the outside world as post-punk no-hopers. So it was a surprise when Grace Jones, fresh off a hit with Warm Leatherette, took an interest in them …
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Today at work I’ve been busy discussing the horror of Blockchain. So have some interesting webpages that are completely not about that in any manner.
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Witch House is a made-up genre that became real. It was invented as an in-joke and now goth DJs claim they play “witch house”. Perhaps the secret ingredient is the gr▲†u‡†Øu§ Un‡cØd3.
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Industrial-tangential trance, cinematic pop and vocal synthpop from Russian label SkyQode.
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The Beach Boys’ worst record, the disco record that beats it, and when disco got good again with Jimmy Cauty and the KLF.
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Beware the dangers of trance and the cult of the DJ. Don’t fall for … the trance cracker. An informative tract that you can give your friends copies of!
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A marvellous BBC radio documentary in two one-hour parts on disco king Giorgio Moroder, focusing on his work in the late ’70s and early to mid-’80s.
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The Doctor Who theme has of course been done in every possible style. Today we have disco versions from Space Disco and Mankind. But
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Google puts the hard word on artists using YouTube. Sign up for five years or you’re off YouTube. What the “vinyl comeback” actually looks
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There’s a new Rowland S. Howard career collection, Six Strings That Drew Blood. Here’s an excellent review and history from the Quietus. I didn’t
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It’s 1981. The disco empire has fallen. The Casablanca label has been bought by PolyGram and all the disco artists have been dumped. You
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Thomson Package Holidays have a blog in which they attempted to tell people about music. Despite having perpetuated the stuff myself, I find myself
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After the KLF, what can you do with your life but cure cancer?
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