Why buy when you can trust other people’s computers? I’m sure services will never suddenly disappear or block paying customers.
Read MoreMaster Quality Authenticated — “high-resolution” audio with … lossy compression.
An audacious innovation in the “high-resolution audio” field: hi-res audio that does lossy compression. And the record companies love it.
Read MoreLester Bangs on Brian Eno.
“It’s not a hard instrument, actually. People think synthesizers are difficult and mysterious, but in about a day you can understand how to use it. In about five years you can understand how not to as well.”
Read MoreLinks: a critic turned artist, the soothing power of noise, Kim Dotcom outdone, Herman’s Hermits.
A pretty chill selection on the joy of art. And some schadenfreude for Kim Dotcom.
Read MoreSoundtracks replaced with extruded substitute music product. If you’re lucky.
Licensing is hard. Why not use some bulk filler instead.
(sex, uh, sex uh, crime, cry cry cry cry crime, crime)
Read MoreVideo: Go-Betweens, techno in six steps, a pop hit in four minutes.
Some telly to finish your day.
Read MoreCopyright troll links: Norway, Rightscorp, Perfect 10, police investigating BPI anti-piracy chief.
There’s a lot of money in trying for a few hundred quid out of home Internet users. Well, sometimes.
Read MoreeMusic returns! Or something of that name.
Remember eMusic? I was a happy customer back in the day.
Read MoreIndustrial reviews: Lorelei Dreaming, Eli Van Pike (2017).
Most of what hits the Rocknerd inbox is industrial, prog, metal or industrial prog metal. I have no idea why.
Read MoreLinks: Blockchain BitTorrent, Kim Dotcom movie, my Blockchain book interview.
Bram Cohen, Kim Dotcom and David Gerard. Only blockchains bind them.
Read MoreWarner does a deal with YouTube. The record industry is outraged!
Warner has signed a completely expected deal with YouTube, because they do great business with each other and fully wish to continue. The music industry is hilariously outraged that Warner did the obvious deal with a fantastic and essential publicity outlet.
Read MoreLinks: How to rig the charts, musicians’ vending machine, a malware music player, Internet Archive.
I’m sure Harry Styles will categorically deny that anyone from any of his teams paid anyone to do anything whatsoever toward this chart rigging effort. Any moment now.
Read MoreReviews: Mr. Kitty, Stars Crusaders, Missiles of October (2016, 2017).
Vaporish synthpop, sci-fi concept EBM and punk rock heavy on the rock.
Read MoreAlixandrea Corvyn, Amongst Animals, Near Death Experience, Tangerinecat — Dublin Castle, Camden, Thu 4 May 2017.
I automatically staked out my life-long spot at stage right, leaning on the PA. I grabbed this spot in 1985 and shall not relinquish it.
Read MoreThe music industry’s sense of entitlement. How to get the money rolling again.
Eamonn Forde opines at The Quietus that the reports of the record industry’s rebirth are greatly exaggerated.
You’d almost think there’d been some sort of horrifying plummet in people’s financial circumstances.
Read MoreOn “data-driven” discovered genres, artistic conversations and faces in clouds.
I am sceptical of the “data-driven approach” to cultural discovery. It reifies statistical artifacts, filter bubbles and faces seen in clouds.
Read MoreLinks: Studio 54, Rage, The KLF.
And Rocknerd’s wise words on Blockchain reaching a wider audience.
Read MoreVarious artists: Audio Antihero Presents: “Unpresidented Jams” for SPLC & NILC (2017).
A benefit compilation of indie pop delights.
Read MoreThere’s drum machines, then there’s a machine drummer.
Our robot friends move into the acoustic version too.
Read MoreLinks: Audible now DRM-free, the Great Vinyl Scam, no pirate website blocks in Mexico.
It’s not like people want the (literal) tons of old editions of these records on vinyl.
Read MoreThe Glass Eyes: Prime Record (2016); The Oceans Over There (2017).
Folky songwriter guitar rock that’s excessively fond of Neil Young and knows it.
Read MoreWhy Spotify wants some Blockchain; how music industry Blockchain dreams work.
A detailed examination of why music industry Blockchain (capital B) dreams are not going to work out.
Read MoreFollowups: Free money from YouTube, windowing and piracy, totally not Pono.
Ongoing sagas that remain perennial bad pennies of stupid.
Read MoreLinks: uTorrent, bogus RightsCorp DMCA notices, International 8-Track Day.
Ignoring the previous National 8-Track Day, of course.
Read MorePatti Smith’s last Australian gig, Festival Hall, Melbourne, 20 April 2017.
Patti Smith is giving up long haul touring on medical advice. But at Festival Hall last night, which she called a “shitty little club” for all the right reasons, Smith looked anything but frail.
Read MoreMusical user interfaces, copyright companies being themselves, the worst of Rolling Stone.
You need to see the ideas for music software interfaces.
Read MoreCrimson Boy: Street Gods and Neon Dogs (2017).
Perth ’80s industrial synthpop duo, who have returned with an album at last.
Read MoreLinks: Portuguese DRM bypass law, majors and streaming money, personal desktop torrent search.
Some fun with DRM, BitTorrent and the legal streaming money never reaching the artists anyway.
Read MoreVortex zine #2 is up.
From the bowels of time, Vortex, Perth, December 1986.
Read MoreReviews: Cherry Heaven, Rainboy (2017).
A couple of atmospheric pop collections.
Read More