A nice combo of hardcore and surf punk, it’s got a mellow, melodic feel that edges toward pop-punk but brings in just a tiny bit of metal to keep an edge to the sound.
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A nice combo of hardcore and surf punk, it’s got a mellow, melodic feel that edges toward pop-punk but brings in just a tiny bit of metal to keep an edge to the sound.
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The Rolling Stones piece certainly answers for me the question “why could I never get into this stuff?”
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Yes, I finally got Vortex #3 cleaned up and online.
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Yeah, putting a Bandcamp embed into reviews is clearly the right thing.
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Welcome to the music industry! Here’s your accordion.
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eMusic’s plan: 1. Collect a large pile of money. 2. Write an all-new music platform that does everything! 3. Pay people in eMusic magic beans.
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I blame the delay on blockchain. Taking a while between confirmations.
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A brilliant five-track indie pop EP. And my first musician interview in a couple of decades.
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And foreshadowing of Monday’s long-form post.
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“If there’s one group who can capture the spirit of bitter infighting that typifies being in a World Cup squad …”
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Excellent fare for people who really enjoy Tolkein. A supernatural tone and a solid pounding that most anyone who likes heavy prog will appreciate.
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Both little works have great songs on them but Love Bomb is mind-blowingly perfect. Clark and Brooke’s voices and guitars blend into a sweet, grungy, fun sound.
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Here’s to cdparanoia and EAC, to turn the music trapped in the silver abominations back into the pure data they were meant to be.
Read MoreDid you know that Frankfurt School philosopher Theodor Adorno wrote all the Beatles songs? I sure didn’t! In fact, I still don’t.
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Barely intelligible lyrics, fast, simple-guitar lines, and overwhelming drums.
Just as God intended, damnit.
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Good thing I eventually got that Spotify article done, hey.
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Ugh, it’s actually irritating how much I like this record. It’s like a white noise machine for ADHD.
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“We’ll save music on the blockchain!” Ethereum can’t scale up to cat pictures.
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Agony of Doubt is a fun, fantastic, big-hair-eighties-style metal album that goes hard and fast but stays fun the whole way through.
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I actively try to use Spotify, because I like the idea that the artist will get at least a penny shaving. So why do I keep just using YouTube? Because it’s not a goddamn pain in the arse.
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First-hand tales from the people down in the engine room.
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Buttrock band.
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In which I go on a podcast and talk about why blockchains are still trash, particularly for music. Don’t fall for resentment-based marketing!
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A document of anarchopunk of the late 1970s and early 1980. It’s short, but it’s cheap and a great read.
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Colgrave’s animation is beautiful. It is alternately stark and lush, full of repeating patterns and startling aberrations and the score, Royal Noises from Dead Kingdoms, mirrors the hypnotic visuals in its layered, thoughtful construction.
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A lot of metal is full of goofy bullshit, a lot of which is very somberly growling about satan, hell, torture, shit, darkness, and other suitably grimy and nasty metal things. And sometimes it turns out that goofy bullshit is pure, distilled perfection and the concentrated essence of joy.
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While the rest of the world moves, changes, shifts, reshapes itself, and discovers irony you can always return to the comforting refuge of goth rock.
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At least Twitter reaps a bountiful harvest these days.
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The record industry is being blustering idiots about piracy again.
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It looks like eMusic’s attempt at a comeback last year didn’t work out so well. Behold: the eMusic Blockchain Platform! … a Kodak moment indeed.
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