I threw up on Lux Interior.

It was mid-1986, at the Red Parrot in Perth (name and logo blatantly nicked from the New York club of the same name) in Perth. I was nineteen and had been going out to see bands and drinking in earnest for six months. The Cramps had played (the Canterbury Court Friday 22 August 1986 show, I think) and went there for after-show drinks.

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Godzilla Black: Press The Flesh (2016).

“Formed by two frustrated drummers” tells you about sixty percent of what you need to know. The rest is descended (through similarly-influenced ’80s indie rock, then the stuff that was left after grunge imploded) from the heavier ’60s psychedelic rock, rather than prog.

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Last Words (EP) by Muzzle

“Last Words” (2014), is the debut EP for young Fremantle independent rock band, Muzzle, with three-piece Daniel Panizza on bass, Daniel Prince on drums,

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PF#19: Dave Graney, 1992.

I’ve been digging up the lost unpublished fragments of Party Fears. Here’s an interview with Dave Graney in late 1992, when nobody cared and

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Pet musical peeves.

“What kind of music do you like?” Fuck. Who can answer a question like that? I HAVE FUCKING THOUSANDS OF ALBUMS, MOTHERFUCKER. IF YOU

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God is a Guardian reader

(Or the other way around!) Keith Cameron wrote earlier this year in the Grauniad of all places about the re-release after twenty years of

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Brucie Teardrop.

Back in my day, Bruce Springsteen was a ridiculously mainstream live rocker made pop star with “Born In The USA” and its ilk. I’d

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