But love, like life, will always stay.
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But love, like life, will always stay.
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It’s been a busy day working on the book. So here’s some relaxing early ’80s Crépuscule industrial.
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Fifty year old records, fifty year old conspiracy theories, one hundred and thirty-three twenty and an actually non-stupid music industry report.
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Some super-accessible pop, some more experimentally-leaning synthpop and more Digital Logic vaporwave.
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A Mexican EBM-industrial synthpop artist with his album from earlier this year and his new single.
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A beautiful and apposite William S. Burroughs reading, and some classic rock faff.
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At last, a followup on the legendary AOpen AX4B-533 Tube computer motherboard from 2002, and your options for cheap glow-in-the-dark amplification in 2016.
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EBM and synthpop, plus guitar-based post-punk revival.
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The blockchain book I’m writing; a couple of short excerpts from the music section I drafted about half of today.
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Exploring new frontiers in obsolete technology, why Brexit will affect UK music precisely how you think it would, and the state of Neil Young’s Pono.
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A new Pop Group album (and it’s good!), the last Birthday Party record, the truth about Plastic Bertrand and a book about Düsseldorf.
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The Internet Archive has thirty gigabytes of cassettes from the ’80s for your delight and horror, from the collection of CKLN-FM host Myke Dyer. The collection was first put on line in 2009 and was made available on archive.org late last year.
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Death in Rome do neofolk covers of pop. And what’s neofolk? Well.
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What do you do with ten black bath bombs? Plus a goth dance howto. And proof that cyberpunk is real.
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I don’t often see it noted just what was happening with early hip-hop and English and European synthpop in and from the post-punk era. Hip-hop histories gloss over it, and the reconstructed histories of techno somehow jump straight from about 1988 back to Kraftwerk, as if all that stuff from 1978 to 1984 never happened.
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The sort of guitar jangle pop that was our bread and butter in the late ’80s.
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It was 35 years ago today, Sergeant Adorno taught the band that HOME TAPING IS KILLING MUSIC.
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Music goes with chicken, retrospective on a scrappy punk band and how to be so foolish as to go out with a musician.
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So I use the Bandcamp new arrivals as a radio, so what, so should you. Jangly guitar indie, goth-industrial dance and some straight-up vaporwave.
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Post-punk’s favourite writer, who didn’t listen to music himself. It’s all about the imagery.
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Pre-grunge-style indie rock, EBM synthpop and disorienting synthesizer-guitar landscapes.
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Scurvy recording trickery, scurvier buzzword-compliant scams and Dépèche Mode so too has the accents in.
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Angular post-punk, synthpop and witch house with songs.
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The ultimate in merchandising, reviving an old gadget, Dylan as writer, me as writer.
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A retrospective on Rocknerd’s 2013 one-hit wonder “Culture is not about aesthetics. Punk rock is now enforced by law.” What musicians are now faced with.
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Andrew Hickey reminisces on “Jaded” by The National Pep, from the EP Love Punks Want To Make You Cry.
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Thanks to Paul Haesler for tipping me off to this inspiring work after he saw the Polka Floyd video yesterday.
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Don’t whinge or povertysplain, worse music industry players, Psychic TV’s film Kickstarter and a reworking that works too well.
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Back to the goth, industrial and punky post-punk, latest works from bands who’ve been around a while.
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Who else remembers late ’80s Blast First band A. C. Temple?
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