A nicely varied EP from a veteran of the New Zealand goth scene.
Read MoreCategory: Goth
Post-punk in black.
Records: P.H.O.B.O.S. (2021), The Birthday Massacre (2022).
Is this thing on? Have a couple of records.
Read MoreRecords: Cortez (2018), Statiqbloom, various goths (2019).
The review pile is full of alternative buttrock industrial.
Read MoreBoy Harsher: Careful (2019).
Darkwave disco. I’ve been hanging out for this one, and I’m thoroughly delighted. You will be too.
Read MoreGary Numan: Savage (Songs from A Broken World) (2017).
For those most familiar with the classic synth-pop Gary Numan, this will be quite different. For those who have followed Numan in the past thirty years this is not a surprise.
Read MoreLinks: Bauhaus, WFMU Free Music Archive saved, post-punk indie labels, Pete Shelley’s XL-1 videos, Boy Harsher.
What’s important to understand about entertainment from the 60s or 70s or 80s is that the entire audience is lead-poisoned, poisoning their kids with lead, pumping drugs cut with industrial solvents bought outside their kids’ schools, which are also poisoning the kids with lead.
Read MoreReviews: Aboleth, Zanias (2016, 2018).
Writing about music is the most ridiculous notion, and the review pile is only getting larger. So I’ll give just embedding players and mumbling something a go. This works for me, and that’s the important thing.
Read MoreThe Cascades: Diamonds and Rust (2017).
While the rest of the world moves, changes, shifts, reshapes itself, and discovers irony you can always return to the comforting refuge of goth rock.
Read MoreThe Frozen Autumn: The Fellow Traveler (2017).
Are you into synthpop? Do you believe in heaven above, do you believe in love?
Read MoreReviews: Fires, Second Still (2017), Duran Duran (1979).
Industrialised synthwave, goth and a pop demo from the mists of time.
Read MoreLinks: Black post-punk, plagiarism, contextualising music, John Lurie’s Marvin Pontiac.
More fun in the big world.
Read MoreReviews: The Big Sun (2016), Autumn (2017), Snog (1992, 2017).
Suppose I’d better cut the pile down a bit again.
Read MoreReviews: Elektrostaub, The Frozen Autumn, Nervenbeisser (2017).
From the review pile, some forthcoming releases from Echozone.
Read MoreReviews: Marsy, HYTS, Dreams Are Like Water (2017).
Time to go out looking for interesting new things.
Read MoreHante: Between Hope & Danger (2017).
The icy ocean at night, calling you to the sea.
Read MoreSeeming: Sol (2017).
A song-oriented post-industrial album from three years’ close obsession.
Read MorePurple Fog Side: The Discord (2017).
A Russian band who call themselves goth and play trancy techno pop on an industrial label.
Read MoreAlixandrea Corvyn, Amongst Animals, Near Death Experience, Tangerinecat — Dublin Castle, Camden, Thu 4 May 2017.
I automatically staked out my life-long spot at stage right, leaning on the PA. I grabbed this spot in 1985 and shall not relinquish it.
Read MoreReviews: Amyl and the Sniffers, Bestial Mouths (2016, 2017).
St Kilda cowpunk and electro goth rock.
Read MoreReviews: Traitrs, Vanguard (2016, 2017).
Angsty guitar post-punk and angsty EBM half way to Hi-NRG.
Read MoreReviews: Artefact, Ritual Howls, La Orden (2016, 2017).
Guitar post-punk in black and grey.
Read MoreReviews: Quimper, Chrysta Bell and David Lynch, Black Tape for a Blue Girl (2016, 2017).
Yes, that David Lynch. He does music too.
Read MoreEssays by Post(Graduate)Punk: Crass, Sisters of Mercy, Psychic TV.
Essays, pointers and rambling opinionation on UK punk and post-punk.
Read MorePost-punk in black: Posh Lost, Masquerade, 1919 (2016).
New style, old style and old returned.
Read MoreElectro pop: Cyborgdrive, Lebanon Hanover , Katja von Kassel (2016, 2017).
The sounds, the rhythm and the pop structure. Three good finds today.
Read MoreSynthpop reviews: Cloud Spell, Cavendish Laboratory, Seaofsin (2017).
Minimal synth dreampop, extended instrumental noodling and EBM dancefloor.
Read MoreReviews: The Pineapple Thief, Trance To The Sun, Scandinavia (2016).
Let’s get the guitars out again.
Read MoreReviews: Rose and the Diamond Hand, Venus Hum, Hand In Waves (2016).
Goth rock, electronic pop and witch house.
Read MoreReviews: Tetrolugosi, Makoto Kino, A.D. Mana, Foretaste (2016).
sp00py theremin and keyboard, found sound loop atmospheric pop and some industrial bleep.
Read MoreLinks: Jon Langford and the Sisters of Mercy, J. G. Ballard’s house, your headphones are listening.
Jon Langford’s time as a part-time g*th, J. G. Ballard’s house is for sale again and your headphones can be used to spy on you.
Read More