Back in the MP3 mines, tunnelling through the tottering heaps of virtual promos.
Read MoreCategory: Pop
Every side an A-side!
Reviews: Mr. Kitty, Stars Crusaders, Missiles of October (2016, 2017).
Vaporish synthpop, sci-fi concept EBM and punk rock heavy on the rock.
Read MoreCrimson Boy: Street Gods and Neon Dogs (2017).
Perth ’80s industrial synthpop duo, who have returned with an album at last.
Read MoreFollowups: laser-burnt records, that Beatles live album, Depeche Mode vs the Nazis.
Further on previous stories. Reach out and punch face.
Read MoreSynthpop reviews: The Past Made Us One, Endanger, Pomigato (2017).
Minimal synth, EBM and Korean indie synth.
Read MoreReviews: 5TimesZero, Post War Glamour Girls, Vassals (2017).
Record reviews at last! Synthpop, shouty post-punk and grungy ’90s guitar pop. Some good stuff coming out over the next month.
Read MoreLinks: The public domain in comic form, Max Martin, Raspberry Pi tube sound.
And why you shouldn’t flush sodium metal down the toilet.
Read MoreLinks: Bono and Pence, Richard Spencer and Depeche Mode. And dealing with musicians.
♪ So we’re different colours
And we’re different creeds
And Nazi Dick Spencer
Obviously can’t read ♫
Reviews: Traitrs, Vanguard (2016, 2017).
Angsty guitar post-punk and angsty EBM half way to Hi-NRG.
Read MoreSynths out: Marcelo Andrea Expreso Maniquí, Maine, Syntheads (2016, 2017).
Bleep your life brighter.
Read MoreReviews: Venus + Mars, Carla dal Forno, The Black Veils (2016, 2017).
Vaporwave, ethereal post-punk pop and jangly punk-pop.
Read MoreReviews: Quimper, Chrysta Bell and David Lynch, Black Tape for a Blue Girl (2016, 2017).
Yes, that David Lynch. He does music too.
Read MoreElectro pop: Cyborgdrive, Lebanon Hanover , Katja von Kassel (2016, 2017).
The sounds, the rhythm and the pop structure. Three good finds today.
Read MoreSynthpop reviews: Cloud Spell, Cavendish Laboratory, Seaofsin (2017).
Minimal synth dreampop, extended instrumental noodling and EBM dancefloor.
Read MoreReviews: Gnu Reunion, Treasureseason, Shijo X (2017).
A cheering selection, from old and new bands.
Read MoreSynthpop reviews: Ida, Missing In STARS, Metrophona (2017).
Remarkable debuts in the synthetic arts.
Read MoreReviews: Carrousel, Neuroticfish, Epileptics (2016, 2017).
There’s electronics and there’s electronics. Sonic landscape pop, EBM and glitchy electropunk.
Read MoreSynthpop: Black Nail Cabaret, LisaWars, Lux for the Monsters (2016).
A dash of precision decadence in these dark times.
Read MoreLinks: Ticketmaster, digital property, not liking music, the biggest UK debut album of 2016.
Every nun needs a Synthi.
Read MoreReviews: The Pineapple Thief, Trance To The Sun, Scandinavia (2016).
Let’s get the guitars out again.
Read MoreI urge you to back “Monkee Music”, 2nd Edition, by Andrew Hickey. Hurry, hurry!
You should definitely put some money into this Kickstarter.
Read MoreReviews: Rose and the Diamond Hand, Venus Hum, Hand In Waves (2016).
Goth rock, electronic pop and witch house.
Read MoreElectronic reviews: Epileptics, VvvV, Shiny Darkness (2016).
Electroclash witch house, electric prog and industrial synthpop.
Read MoreReviews: Soviet Soviet, Fossey, Nórdika (2016).
Shoegazy post-punk, synth pop and futurepop.
Read MoreLinks: Independent music earnings, Pakistan’s music industry, answering recruiters, Spray.
How much money one musician actually makes striking out as an independent, the Pakistani music industry, responding to recruiters and Ricardo Autobahn and Spray.
Read MoreReviews: Pass-Ages, Embrace The Crisis, Tombaugh Regio (2016).
Synth-based indie pop, with some stomping jangle too.
Read MoreReviews: Tetrolugosi, Makoto Kino, A.D. Mana, Foretaste (2016).
sp00py theremin and keyboard, found sound loop atmospheric pop and some industrial bleep.
Read MoreSynthpop: Aidan Casserly, Kriistal Ann, Dress Your Headphones (2015, 2016).
A start on the accumulated backlog. Today is synthpop day!
Read MoreReviews: Karlo, Moon Mask, Aseasita (2016).
Today, some pop and some electroclash.
Read MoreLinks: Floor-sweepings editions, Paul is Still Dead, Imogen Heap’s $133.20, a good industry report.
Fifty year old records, fifty year old conspiracy theories, one hundred and thirty-three twenty and an actually non-stupid music industry report.
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