I must start this review with identifying the source of my ticket; the Isla Bell Charitable Fund. Isla Bell was a young artist and
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I must start this review with identifying the source of my ticket; the Isla Bell Charitable Fund. Isla Bell was a young artist and
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A good new thing and an old new thing.
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The Howler Bar in Brunswick initially looks like a large open-plan bar but has an enclosed back-room which is just the right size for bands with a moderate following, and a brilliant second bar which provides a windowed view to the stage.
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The band started off pretty firmly in the metal genre, but transmogrified into something that is a cross between math rock and metal, like a love-child of 65daysofstatic and Dream Theater.
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The review pile is full of alternative buttrock industrial.
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The Threatin story is this week’s winner.
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Dew and Irk are both remarkable finds and produce the correct horrible racket, though the loved one compared Irk to a sack of hammers falling down stairs.
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Writing about music is the most ridiculous notion, and the review pile is only getting larger. So I’ll give just embedding players and mumbling something a go. This works for me, and that’s the important thing.
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Excellent fare for people who really enjoy Tolkein. A supernatural tone and a solid pounding that most anyone who likes heavy prog will appreciate.
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Barely intelligible lyrics, fast, simple-guitar lines, and overwhelming drums.
Just as God intended, damnit.
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Ugh, it’s actually irritating how much I like this record. It’s like a white noise machine for ADHD.
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Agony of Doubt is a fun, fantastic, big-hair-eighties-style metal album that goes hard and fast but stays fun the whole way through.
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A lot of metal is full of goofy bullshit, a lot of which is very somberly growling about satan, hell, torture, shit, darkness, and other suitably grimy and nasty metal things. And sometimes it turns out that goofy bullshit is pure, distilled perfection and the concentrated essence of joy.
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The record is a solid piece of work with plenty of power. A sound that wavers between groove and thrash from song to song.
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If you’ve been hankering for some growly Germans who make music that complements PVC outfits and stompy dancing, Nervenbeisser might be for you.
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How do you feel about relentless positivity and good cheer? I’m a bit cynical about it myself, but once in a while something comes by that slaps a smile on your face and won’t get out of your head.
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Atmospheric progressive doom metal from Romania.
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Prog, metal and shoegaze from the inbox.
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From the review pile, some forthcoming releases from Echozone.
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Jeph Jacques, author of Questionable Content, has a fictional instrumental metal band. And they’re really good.
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One that isn’t quite EBM and one that isn’t quite metal.
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A pretty chill selection on the joy of art. And some schadenfreude for Kim Dotcom.
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Most of what hits the Rocknerd inbox is industrial, prog, metal or industrial prog metal. I have no idea why.
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Complicated acoustic progressive sounds, and a bit of cheap synth.
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Metal reviewed by Alli K. In particular, watch the Lego video.
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Today’s “what the hell even is that”: a capella experimental prog.
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Have your retro communism techno, enlightening the unwilling, archive your damn tapes, this is not your father’s Earache.
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DRUM MACHINE MUST BE STOPPED -DRUM MACHINE IS KILLING BLACK METAL- DRUM MACHINE IS NEXT KEYBOARD/CRUTCH AND IS DAGGER IN THE BACK OF BLACK METAL-
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Will York, in the San Francisco Bay Guardian, helpfully explains for us the cookie monster vocal in death metal.
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“doom heavy stoner metal band”, the press release bluntly announces.
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