A good new thing and an old new thing.
Read MoreCategory: Metal
We Lost The Sea, Howler Bar, Melbourne, 30 November 2019.
The Howler Bar in Brunswick initially looks like a large open-plan bar but has an enclosed back-room which is just the right size for bands with a moderate following, and a brilliant second bar which provides a windowed view to the stage.
Read MoreWe Lost The Sea: Triumph & Disaster (2019).
The band started off pretty firmly in the metal genre, but transmogrified into something that is a cross between math rock and metal, like a love-child of 65daysofstatic and Dream Theater.
Read MoreRecords: Cortez (2018), Statiqbloom, various goths (2019).
The review pile is full of alternative buttrock industrial.
Read MoreLinks: Threatin’s faked tour, WFMU archive closing, Winamp 5.8, streaming as the last format.
The Threatin story is this week’s winner.
Read MoreRecords: Dew, Irk, Transmaniacon featuring Lydia Lunch and Maya Berlin (2018).
Dew and Irk are both remarkable finds and produce the correct horrible racket, though the loved one compared Irk to a sack of hammers falling down stairs.
Read MoreReviews: Aboleth, Zanias (2016, 2018).
Writing about music is the most ridiculous notion, and the review pile is only getting larger. So I’ll give just embedding players and mumbling something a go. This works for me, and that’s the important thing.
Read MoreLimb: Saboteurs of the Sun (2018).
Excellent fare for people who really enjoy Tolkein. A supernatural tone and a solid pounding that most anyone who likes heavy prog will appreciate.
Read MoreDENY: Parasite Paradise (2018).
Barely intelligible lyrics, fast, simple-guitar lines, and overwhelming drums.
Just as God intended, damnit.
Read MoreStelliferous: Canine Familiar (2018).
Ugh, it’s actually irritating how much I like this record. It’s like a white noise machine for ADHD.
Read MoreShezoo: Agony Of Doubt (2018).
Agony of Doubt is a fun, fantastic, big-hair-eighties-style metal album that goes hard and fast but stays fun the whole way through.
Read MoreNekrogoblikon: Welcome to Bonkers (2018).
A lot of metal is full of goofy bullshit, a lot of which is very somberly growling about satan, hell, torture, shit, darkness, and other suitably grimy and nasty metal things. And sometimes it turns out that goofy bullshit is pure, distilled perfection and the concentrated essence of joy.
Read MoreNemesis Inferi: A Bad Mess (2018).
The record is a solid piece of work with plenty of power. A sound that wavers between groove and thrash from song to song.
Read MoreNervenbeisser: Zeitenwandel (2017).
If you’ve been hankering for some growly Germans who make music that complements PVC outfits and stompy dancing, Nervenbeisser might be for you.
Read MoreAndrew W. K.: You’re Not Alone (2018).
How do you feel about relentless positivity and good cheer? I’m a bit cynical about it myself, but once in a while something comes by that slaps a smile on your face and won’t get out of your head.
Read MoreParagon Collapse: The Dawning (2017).
Atmospheric progressive doom metal from Romania.
Read MoreReviews: Nosound, Porn, Stellarscope (2016, 2017).
Prog, metal and shoegaze from the inbox.
Read MoreReviews: Elektrostaub, The Frozen Autumn, Nervenbeisser (2017).
From the review pile, some forthcoming releases from Echozone.
Read MoreJeph Jacques, Questionable Content and Deathmøle.
Jeph Jacques, author of Questionable Content, has a fictional instrumental metal band. And they’re really good.
Read MoreReviews: Metal Disco, Barabbus (2017).
One that isn’t quite EBM and one that isn’t quite metal.
Read MoreLinks: a critic turned artist, the soothing power of noise, Kim Dotcom outdone, Herman’s Hermits.
A pretty chill selection on the joy of art. And some schadenfreude for Kim Dotcom.
Read MoreIndustrial reviews: Lorelei Dreaming, Eli Van Pike (2017).
Most of what hits the Rocknerd inbox is industrial, prog, metal or industrial prog metal. I have no idea why.
Read MoreReviews: Hidden By Ivy, The Trapezoids, Miserable (2016, 2017).
Complicated acoustic progressive sounds, and a bit of cheap synth.
Read MoreMetal reviews: Blutzukker, Pulvis et Umbra (2015, 2016, 2017).
Metal reviewed by Alli K. In particular, watch the Lego video.
Read MoreThe Voices: Oneiric Anthem (2016).
Today’s “what the hell even is that”: a capella experimental prog.
Read MoreLinks: Soviet techno, music as a weapon, archive your damn tapes, oh Earache no.
Have your retro communism techno, enlightening the unwilling, archive your damn tapes, this is not your father’s Earache.
Read MoreDRUM MACHINE MUST BE STOPPED.
DRUM MACHINE MUST BE STOPPED -DRUM MACHINE IS KILLING BLACK METAL- DRUM MACHINE IS NEXT KEYBOARD/CRUTCH AND IS DAGGER IN THE BACK OF BLACK METAL-
Read MoreThe cookie monster vocal explained.
Will York, in the San Francisco Bay Guardian, helpfully explains for us the cookie monster vocal in death metal.
Read MoreMos Generator: Abyssinia (2016).
“doom heavy stoner metal band”, the press release bluntly announces.
Read MoreSe Delan: Drifter (2016).
The press release page (includes album stream) says “dark, alternative, new wave” and studiously avoids the word g*th, but OH COME ON.
Read More