These are some of my favorite songs of 2024, presented in no particular order: APT., Rosé and Bruno Mars: The title is a play
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Choreography about architecture.
These are some of my favorite songs of 2024, presented in no particular order: APT., Rosé and Bruno Mars: The title is a play
Read MoreFor all the talentless fucks who are absolute in their certainty that the way out is the way through.
Read MoreThere were eight whole records to listen to. Eight!
Read MoreI hadn’t expected listening to the hit parade to feed me an album review.
Read MoreSomething to listen to while tending your greenhouse full of carnivorous and/or poisonous plants.
Read MoreNineteen years isn’t a bad run, for a baby band that blew up and then fell apart several times along the way.
Read MoreI like to put an R.E.M. mix on while I’m baking. But only the ones that include Man on the Moon.
Read MoreI had an epic musical missed connection when I confused the Happy Flowers with the Happy Mondays, and didn’t realize what had happened until thirty-odd years later.
Read MoreYeeeeeahhhh that’s the 2nd floor of Slimelight GOOD STUFF, y’all.
Read MoreI’m sulky mainly because of the band name, which causes me to think muffled cross thoughts about failed social policy. But the name harmonizes well with the band’s overall vibe, which is “skate park during the golden hour.”
Read MoreThe blogging equivalent of sitting in the garage twiddling radio knobs just to see what might be out there.
Read MoreIn the early 90s I was introduced to the notion of “art damage”, appearing as an editorial rant in the glorious glossy cyberpunk magazine, Mondo 2000, now sadly forgotten by most.
Read MoreThe punishment of luxury is in the air for all to see. And it’s ugly now, and it’s getting worse every day. Hey! Hey! Hey!
Read MoreAn excuse to get Perth bands into a published record chart, so they’d get some publicity and could use it in their marketing. And to propagandise Australian indie to the masses. Includes THE HITS OF 1989!
Read MoreHere’s to cdparanoia and EAC, to turn the music trapped in the silver abominations back into the pure data they were meant to be.
Read MoreDid you know that Frankfurt School philosopher Theodor Adorno wrote all the Beatles songs? I sure didn’t! In fact, I still don’t.
Read MoreI actively try to use Spotify, because I like the idea that the artist will get at least a penny shaving. So why do I keep just using YouTube? Because it’s not a goddamn pain in the arse.
Read MoreIt looks like eMusic’s attempt at a comeback last year didn’t work out so well. Behold: the eMusic Blockchain Platform! … a Kodak moment indeed.
Read MoreSounds like MiG 20 crack, huh? Over! Over!
Read MoreMy restrained and professional assessment of the incompetence and stupidity all through the Björk cryptocurrency project was reasonably popular and widely read. This expanded version adds what I was actually thinking when writing up this collapse board cascade of slapstick coded-by-dildo incompetence.
Read MoreOn the most unexpected political alliance of the year: the Juggalo youth subculture and organised socialism.
Read MoreI feel like I’m giving away the game here by revealing the truth to the terminally incompetent, but good Lord this is ridiculous.
Read MoreDespite continuing attempts to keep the Virtual Reality hype going, the real reality has not improved since late last year.
Read MoreAt age ten I’d heard synthesizers were cool, so found some Karlheinz Stockhausen to start me off. I, ah, didn’t quite know what to make of it.
Read MoreYou’d think people running a business would do things that would make money and have them still be around next year. But, welcome to music!
Read MoreMusic journalist upset at not being able to put the boot in any more? YOU ARE NOT SHORT OF TARGETS.
Read MoreSpotify outrages the record industry by not giving them even more free money. The actual listeners are fine with this.
Read MoreAn audacious innovation in the “high-resolution audio” field: hi-res audio that does lossy compression. And the record companies love it.
Read MoreWarner has signed a completely expected deal with YouTube, because they do great business with each other and fully wish to continue. The music industry is hilariously outraged that Warner did the obvious deal with a fantastic and essential publicity outlet.
Read MoreEamonn Forde opines at The Quietus that the reports of the record industry’s rebirth are greatly exaggerated.
You’d almost think there’d been some sort of horrifying plummet in people’s financial circumstances.
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