For all the talentless fucks who are absolute in their certainty that the way out is the way through.
Read MoreCategory: Opinion
Choreography about architecture.
Notes and Reflections: Lana Del Rey
There were eight whole records to listen to. Eight!
Read MoreIt’s gonna play all the records in the hit parade, and they’re all Morgan Wallen.
I hadn’t expected listening to the hit parade to feed me an album review.
Read MoreFlower Face: The Shark in Your Water (2022).
Something to listen to while tending your greenhouse full of carnivorous and/or poisonous plants.
Read MoreFarewell: Panic! at the Disco, 2004-2023
Nineteen years isn’t a bad run, for a baby band that blew up and then fell apart several times along the way.
Read MoreSometimes I just want to listen to R.E.M.
I like to put an R.E.M. mix on while I’m baking. But only the ones that include Man on the Moon.
Read MoreMissed Connections: Happy Mondays.
I had an epic musical missed connection when I confused the Happy Flowers with the Happy Mondays, and didn’t realize what had happened until thirty-odd years later.
Read MoreShelf-reading at Bandcamp: Industrial — Leæther Strip, Metal Heart, Master Boot Record, Pertubator (2022, 2023).
Yeeeeeahhhh that’s the 2nd floor of Slimelight GOOD STUFF, y’all.
Read MoreCollected thoughts: The War on Drugs
I’m sulky mainly because of the band name, which causes me to think muffled cross thoughts about failed social policy. But the name harmonizes well with the band’s overall vibe, which is “skate park during the golden hour.”
Read MoreLate Night Listening: Status/Non-Status: Surely Travel (2022).
The blogging equivalent of sitting in the garage twiddling radio knobs just to see what might be out there.
Read MoreArt Damage through Self-Referentialty
In the early 90s I was introduced to the notion of “art damage”, appearing as an editorial rant in the glorious glossy cyberpunk magazine, Mondo 2000, now sadly forgotten by most.
Read More2019 in music: your comprehensive and reliable global guide.
The punishment of luxury is in the air for all to see. And it’s ugly now, and it’s getting worse every day. Hey! Hey! Hey!
Read MoreI ran the Perth indie record charts, from 1989 to 1991. Corruption! Manipulation! Propaganda!
An excuse to get Perth bands into a published record chart, so they’d get some publicity and could use it in their marketing. And to propagandise Australian indie to the masses. Includes THE HITS OF 1989!
Read MoreReripping the CDs, as you do.
Here’s to cdparanoia and EAC, to turn the music trapped in the silver abominations back into the pure data they were meant to be.
Read MoreRichard Syrett on Theodor Adorno, the Beatles, conspiracy theorists and … me.
Did you know that Frankfurt School philosopher Theodor Adorno wrote all the Beatles songs? I sure didn’t! In fact, I still don’t.
Read MoreHow to make Spotify suck less than YouTube for streaming.
I actively try to use Spotify, because I like the idea that the artist will get at least a penny shaving. So why do I keep just using YouTube? Because it’s not a goddamn pain in the arse.
Read MoreOh, eMusic, no — don’t go blockchain! Another Kodak moment.
It looks like eMusic’s attempt at a comeback last year didn’t work out so well. Behold: the eMusic Blockchain Platform! … a Kodak moment indeed.
Read MoreLast week after “Dynasty” I had crows feet under my eyes. Paid two days for getting high. Mark E. Smith is dead.
Sounds like MiG 20 crack, huh? Over! Over!
Read MoreBjörkcoin: Björk’s cryptocurrency album project dissected (impolite ranty version).
My restrained and professional assessment of the incompetence and stupidity all through the Björk cryptocurrency project was reasonably popular and widely read. This expanded version adds what I was actually thinking when writing up this collapse board cascade of slapstick coded-by-dildo incompetence.
Read MoreThose Crazy Socialist Juggalos
On the most unexpected political alliance of the year: the Juggalo youth subculture and organised socialism.
Read MoreYouTube stream ripping: the record industry is being thick again.
I feel like I’m giving away the game here by revealing the truth to the terminally incompetent, but good Lord this is ridiculous.
Read MoreThe virtual reality hype slowly faces up to real reality.
Despite continuing attempts to keep the Virtual Reality hype going, the real reality has not improved since late last year.
Read MoreKarlheinz Stockhausen as synthesizer music for ten year old children.
At age ten I’d heard synthesizers were cool, so found some Karlheinz Stockhausen to start me off. I, ah, didn’t quite know what to make of it.
Read MoreHow Spotify dragged the record industry kicking and screaming to its own survival.
You’d think people running a business would do things that would make money and have them still be around next year. But, welcome to music!
Read MoreWhen did music journalism stop wielding the axe? Particularly against the industry?
Music journalist upset at not being able to put the boot in any more? YOU ARE NOT SHORT OF TARGETS.
Read MoreSpotify’s extruded pop product substitute is worth it for the industry outrage.
Spotify outrages the record industry by not giving them even more free money. The actual listeners are fine with this.
Read MoreMaster Quality Authenticated — “high-resolution” audio with … lossy compression.
An audacious innovation in the “high-resolution audio” field: hi-res audio that does lossy compression. And the record companies love it.
Read MoreWarner does a deal with YouTube. The record industry is outraged!
Warner has signed a completely expected deal with YouTube, because they do great business with each other and fully wish to continue. The music industry is hilariously outraged that Warner did the obvious deal with a fantastic and essential publicity outlet.
Read MoreThe music industry’s sense of entitlement. How to get the money rolling again.
Eamonn Forde opines at The Quietus that the reports of the record industry’s rebirth are greatly exaggerated.
You’d almost think there’d been some sort of horrifying plummet in people’s financial circumstances.
Read MoreOn “data-driven” discovered genres, artistic conversations and faces in clouds.
I am sceptical of the “data-driven approach” to cultural discovery. It reifies statistical artifacts, filter bubbles and faces seen in clouds.
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