At almost sixty-five minutes, New Order’s tenth studio album Music Complete. On vinyl it is provided as an impressive heavy-grade double album with an abstract cover design by Peter Saville, which reminds one of True Colours by Split Enz or a 1980s L’Oreal advertisement. With no sense of embarrassment, the album also includes a twelve page booklet of blank pages and uncoloured designs. This ill-considered use of the planet’s declining arboreal biomass can possibly amuse children for a couple of hours as they provide a more interesting expression of colours. As is the fashion with albums these days a digital download code is also provided.
Read MoreCategory: Record
Listen, mate, life has surface noise.
Mos Generator: Abyssinia (2016).
“doom heavy stoner metal band”, the press release bluntly announces.
Read MoreNo: Once We Were Scum, Now We Are God (1989).
This is the finest album by the great Australian band No, featuring Ollie Olsen when he was still angry, before he discovered MDMA and made Third Eye. It’s a live album. I got the record when it came out in 1989 and played it every day for a few months. Invigorating and cheering music that will brighten your soul.
Read MorePat & Mick: Use It Up And Wear It Out (1990).
This record is … way better than it has any right to be.
Read MoreSe Delan: Drifter (2016).
The press release page (includes album stream) says “dark, alternative, new wave” and studiously avoids the word g*th, but OH COME ON.
Read MoreReviews: Airbag, Metroland, Suns of Thyme, Virus (2016).
Elektroklänge: Mechanische Tänze Nos. 1-4 EP (2016).
The entire point of Elektroklänge is wanting to be Kraftwerk when they grow up. Not an uncommon aspiration, but not a bad one if you can pull it off, and they do okay.
Read MoreShriekback: Without Real String or Fish (2015).
For a band formed in 1981, Shriekback have certainly had a couple of notable breaks in their productive career.
Read MoreGodzilla Black: Press The Flesh (2016).
“Formed by two frustrated drummers” tells you about sixty percent of what you need to know. The rest is descended (through similarly-influenced ’80s indie rock, then the stuff that was left after grunge imploded) from the heavier ’60s psychedelic rock, rather than prog.
Read MoreRecords that have not stood the test of time: Models: Out Of Mind, Out Of Sight (1985).
This album, which I played a few days ago for the first time in thirty years, is what the kids these days describe as a “hot mess”. A pile of good ideas mashed in with a pile of terrible ones; the result desperately pretends to work.
Read MoreThe Charlatans: Modern Nature (2015).
As one of the great British indie synth-rock bands (hey, just call it “Madchester”) of the 90s, The Charlatans, left an indelible impression on
Read MoreLast Words (EP) by Muzzle
“Last Words” (2014), is the debut EP for young Fremantle independent rock band, Muzzle, with three-piece Daniel Panizza on bass, Daniel Prince on drums,
Read MoreReissues, past subcultures and the dead foot of the market.
Amanda Petrusich at the New Yorker writes a ramble on the reissue market. It’s not clear, but she seems upset these previously-unavailable classics are available again, because they’re available again for the wrong reasons.
Read MoreBaron: Torpor (2015).
Torpor is squarely an attempt to recapture early ’70s English folky progressive rock. With vaguely sci-fi lyrics.
Read MoreIf you’re gonna do martial industrial music, at least make it really gay. Deutsch Amerikanische Freundschaft.
DAF were a Neue Deutsche Welle (New German Wave) band, covering the time from when NDW meant hideous post-punk noise to when it meant cheesy pop. Funnily enough covering a similar arc themselves.
Read MoreBlacklisters: Adult (2015).
Early 1990s grunge, reproduced with 100% authenticity. Really, I felt like I was a 26-year-old student/bum again, smoking Lucky Strikes on a front porch in Perth, wondering if I too would ever find some way to hit it big with Generation X.
Read MoreDonald Fagen: Sunken Condos (2012).
This is light jazz funk rock with brilliant musicianship, and Fagen’s voice is still lovely after all these years. I could not remember a
Read MoreMetroland: Triadic Ballet (2015).
Metroland is a Belgian electronic duo. Their publicity says “Kraftwerk” a whole lot, though my first thought was “the Kraftwerky end of Severed Heads”.
Read MoreA new year of links!
There’s a new Rowland S. Howard career collection, Six Strings That Drew Blood. Here’s an excellent review and history from the Quietus. I didn’t
Read MoreSkinny Puppy: Weapon (2013).
As perhaps the most important industrial band of the 1980s, Skinny Puppy developed a loyal following with their harsh instrumentation, samples, and politically blunt
Read More65daysofstatic: Wild Light (2013)
It’s a cute fashion for the originators of subcultures to declare its ‘death’ just as it is starting; thus the hippies of Haight-Ashbury declared
Read MoreRadio Birdman Boxed Set (2014)
Courtesy of our friends at The Dwarf your author had the opportunity to see the legendary Radio Birdman as long as finger was put
Read MorePop Will Eat Itself – New Noise Designed By A Sadist (2011)
With their last and most successful general release album released in 1994 (Dos Dedos Mis Amigos), it is a long time between releases for
Read MoreArchive: Axiom (2014)
Archive are a pretty superb combination of electronica, trip-hop, with progressive elements, something like a fusion of 65daysofstatic and Portishead. To say that they’ve
Read MoreA librarian reviews her husband’s “Stupid Record Collection.” All of it.
In which a relatively normal person decides to sit down and review her husband’s entire vinyl LP collection. In alphabetical order. “I can’t believe
Read MoreRenaissance by the Village People: the Highlander 2 of disco.
It’s 1981. The disco empire has fallen. The Casablanca label has been bought by PolyGram and all the disco artists have been dumped. You
Read MoreIf only you could collect this well.
How a working-class couple amassed a literally priceless art collection. “They were artists, and the collection was their work of art.” If only I
Read MoreAlso I really like the jangly guitar music used to promote touch screen technology with a mid-range price point.
Daily Mash: “THE unlimited availability of free music means that an album will not change how you see the world for more than a
Read MoreSo what was Maxicut?
In case you ever wondered what the EMI “Maxicut” process you saw listed on all those Australian LPs was, learn about the rationale and
Read MoreAlbum cover cliches, 2012.
Cracked delivers. “The Sign Says ‘Fire Your Graphic Designer’.”
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