Why? Tom Ellard, pretty much.
Read MoreCategory: Record
Listen, mate, life has surface noise.
Loewenhertz: Echtzeit; Unsichtbar; Irgendwann (2016, 2017).
’90s-style angsty German synthpop that fits right into industrial, of a genre with Wolfsheim, Beborn Beton and Silke Bischoff. Especially Wolfsheim.
Read MoreReviews: Metal Disco, Barabbus (2017).
One that isn’t quite EBM and one that isn’t quite metal.
Read MorePurple Fog Side: The Discord (2017).
A Russian band who call themselves goth and play trancy techno pop on an industrial label.
Read MoreReviews: Dr. Woman, Ovter God, Fightmilk (2016, 2017).
Back in the MP3 mines, tunnelling through the tottering heaps of virtual promos.
Read MoreLinks: Wikipedia supports fair use, film archiving, the joys of the B-side.
If I can’t hear music, you can’t either. But that 7″ is amazingly pretty.
Read MoreeMusic returns! Or something of that name.
Remember eMusic? I was a happy customer back in the day.
Read MoreIndustrial reviews: Lorelei Dreaming, Eli Van Pike (2017).
Most of what hits the Rocknerd inbox is industrial, prog, metal or industrial prog metal. I have no idea why.
Read MoreReviews: Mr. Kitty, Stars Crusaders, Missiles of October (2016, 2017).
Vaporish synthpop, sci-fi concept EBM and punk rock heavy on the rock.
Read MoreVarious artists: Audio Antihero Presents: “Unpresidented Jams” for SPLC & NILC (2017).
A benefit compilation of indie pop delights.
Read MoreThe Glass Eyes: Prime Record (2016); The Oceans Over There (2017).
Folky songwriter guitar rock that’s excessively fond of Neil Young and knows it.
Read MoreCrimson Boy: Street Gods and Neon Dogs (2017).
Perth ’80s industrial synthpop duo, who have returned with an album at last.
Read MoreReviews: Cherry Heaven, Rainboy (2017).
A couple of atmospheric pop collections.
Read MoreReviews: Hidden By Ivy, The Trapezoids, Miserable (2016, 2017).
Complicated acoustic progressive sounds, and a bit of cheap synth.
Read MoreLinks: SoundCloud $70m, Facebook the label, Discogs, Bitcoin and Boss Baby.
why does bitcoin keep coming up in my music links WHYYY
Read MoreAll these streams will be lost in time, like tears in rain.
There is no “cloud”, there’s just someone else’s computer. Will we find a listener who cares?
Read MoreThe Fall: Perverted By Language (1983).
“There was a time when I asked Mark if he’d heard that ‘Under Pressure’ song that Bowie did with Queen and he just said, ‘Yeah! They ripped that bass-line off “An Older Lover” on Slates. ‘” — Brix Smith
Read MoreReviews: Amyl and the Sniffers, Bestial Mouths (2016, 2017).
St Kilda cowpunk and electro goth rock.
Read MoreSynthpop reviews: The Past Made Us One, Endanger, Pomigato (2017).
Minimal synth, EBM and Korean indie synth.
Read MoreReviews: 5TimesZero, Post War Glamour Girls, Vassals (2017).
Record reviews at last! Synthpop, shouty post-punk and grungy ’90s guitar pop. Some good stuff coming out over the next month.
Read MoreOcean Mind: Underwater (2016).
Organic prog from Ocean Mind’s 2016 album Underwater.
Read MoreReviews: Traitrs, Vanguard (2016, 2017).
Angsty guitar post-punk and angsty EBM half way to Hi-NRG.
Read MoreSynths out: Marcelo Andrea Expreso Maniquí, Maine, Syntheads (2016, 2017).
Bleep your life brighter.
Read MoreReviews: Artefact, Ritual Howls, La Orden (2016, 2017).
Guitar post-punk in black and grey.
Read MoreQuando Quango: Pigs and Battleships (1985).
A vastly underappreciated post-punk album of the female and funky variety, by a band substantially responsible for what became acid house as we know it.
Read MoreMetal reviews: Blutzukker, Pulvis et Umbra (2015, 2016, 2017).
Metal reviewed by Alli K. In particular, watch the Lego video.
Read MoreReviews: Venus + Mars, Carla dal Forno, The Black Veils (2016, 2017).
Vaporwave, ethereal post-punk pop and jangly punk-pop.
Read MoreReviews: Quimper, Chrysta Bell and David Lynch, Black Tape for a Blue Girl (2016, 2017).
Yes, that David Lynch. He does music too.
Read MoreBandcamp is melting under the strain. But keep buying stuff!
The ACLU fundraiser is just a bit popular. But keep buying to GIT CHOR NAZI SCALPS LUVVERLY NAZI SCALPS AT BANDCAMP
Read MorePost-punk in black: Posh Lost, Masquerade, 1919 (2016).
New style, old style and old returned.
Read More