Two Wire live performances, because they’re good for you.
Read MoreAuthor: David Gerard
Links: Independent music earnings, Pakistan’s music industry, answering recruiters, Spray.
How much money one musician actually makes striking out as an independent, the Pakistani music industry, responding to recruiters and Ricardo Autobahn and Spray.
Read MoreReviews: Pass-Ages, Embrace The Crisis, Tombaugh Regio (2016).
Synth-based indie pop, with some stomping jangle too.
Read MoreLinks: Soviet techno, music as a weapon, archive your damn tapes, oh Earache no.
Have your retro communism techno, enlightening the unwilling, archive your damn tapes, this is not your father’s Earache.
Read MoreGanser: relentlessness by guitar.
Taut indie guitar rock, sparse but weighty; machine music by a guitar band with the proper relentlessness.
Read MoreRocknerd is now fully SSL-enabled! How to do this yourself.
Rocknerd is now served over SSL. Please try https://rocknerd.co.uk/ on all your gadgets and let me know of any problems. Here’s the technical detail of how I applied this to WordPress.
Read MoreReviews: Tetrolugosi, Makoto Kino, A.D. Mana, Foretaste (2016).
sp00py theremin and keyboard, found sound loop atmospheric pop and some industrial bleep.
Read MoreLinks: CBGB awning for sale; Ableton Live; the cucumber organ.
The not-quite original awning from CBGB for auction; the story of Ableton Live; really, a cucumber organ.
Read MoreSynthpop: Aidan Casserly, Kriistal Ann, Dress Your Headphones (2015, 2016).
A start on the accumulated backlog. Today is synthpop day!
Read MoreThe Pop Group: Y (1979), For How Much Longer Do We Tolerate Mass Murder? (1980).
The Pop Group are a singularity of post-punk awesomeness. Here, have their first two albums.
Read MoreLou Reed: Metal Machine Music (1975).
“It’s all folk music, anyway.” — Lester Bangs
Read MoreLinks: World industrial, the economics of EDM, the eyes have rhythm, fretless bass an octave up.
Have some more links, this time with a video.
Read MoreLinks: Jon Langford and the Sisters of Mercy, J. G. Ballard’s house, your headphones are listening.
Jon Langford’s time as a part-time g*th, J. G. Ballard’s house is for sale again and your headphones can be used to spy on you.
Read MoreThe Danse Society: goth rock roads not quite taken.
There’s still the sound of roads not taken since; something tantalisingly not quite right about it. (Your mileage may vary.)
Read MoreAttack of the 50 foot blockchain!
I have finished the raw first draft of the Bitcoin/blockchain book. Current word count 30,410 (or 35,546 if you include the footnotes). This was supposed to be a 15,000 word rant before lunchtime …
Read MoreThe time has come to listen to Ethernet cables.
The sound with the Pearl becomes lighter and has less impact and detail compared to the Supra. Stereo image shrinks, but more obvious is a reduction in detail. Changing to Cinnamon with only one switch in my network produces a surprising result.
Read MoreFlying Nun revival and reissues, Roger Shepherd autobio.
Roger Shepherd, founder of Flying Nun Records, is now embarking upon a reissue programme. And has written an autobiography.
Read MoreA selection of early ’80s mopey post-punk aesthetic.
Selections from the early post-punk record collection. A Certain Ratio, C Cat Trance, Crispy Ambulance, Magazine, Section 25, Cabaret Voltaire. The aesthetic.
Read MoreInstrument links: acid house for web, make your own, use light, shut up’n keep playing yer guitar.
A web-based acid house creator, some Web Audio sound fonts, a light-based Arduino project and a plea to keep up your guitar playing.
Read MoreReviews: Karlo, Moon Mask, Aseasita (2016).
Today, some pop and some electroclash.
Read MoreReviews: Diversant:13, La Vogue vol. 1, Ambrasive, DrawnSword (2016).
’90s style industrial, early ’70s style songwriting, two dance non-reviews.
Read MoreWhat the death of What.CD fails to mean for all of humanity.
There’s a lot to be said in favour of massive copyright violation in the interests of cultural preservation, but “fixed targets are stable and sustainable in a world including the record companies” is not any of it.
Read MoreGary Clail’s Tackhead Sound System: Tackhead Tape Time (1987).
“Hard Left” remains chilling and apposite. The fascists and quasi-fascists haven’t changed in thirty years.
Read MoreLinks: High-resolution consumer audio, London for music sales, the worst Beach Boys album.
Audio snake oil, London still the centre of the universe, Summer in Paradise.
Read MoreLinks: China’s top music site, 808 The Documentary, Shazam is listening.
Douban.com, a movie about a drum machine, software that grabs your microphone.
Read MoreAestheticblogging.
aestheticblogging basically taught me to have feelings, that werent anger.
Read MoreClock DVA: Resistance (1983).
But love, like life, will always stay.
Read MoreCabaret Voltaire: Fool’s Game (Sluggin’ Fer Jesus part 3)/Gut Level (1983).
It’s been a busy day working on the book. So here’s some relaxing early ’80s Crépuscule industrial.
Read MoreLinks: Floor-sweepings editions, Paul is Still Dead, Imogen Heap’s $133.20, a good industry report.
Fifty year old records, fifty year old conspiracy theories, one hundred and thirty-three twenty and an actually non-stupid music industry report.
Read MoreSynthpop: Mlale, Clintongore, Digital Logic (2016).
Some super-accessible pop, some more experimentally-leaning synthpop and more Digital Logic vaporwave.
Read More