Pel Mel were an Australian post-punk indie-pop band who formed in Newcastle in 1979 and split in 1984. Like so many old post-punk bands, they’ve reformed in recent years, and have a collection and a live album out soon.
Read MoreCategory: Record
Listen, mate, life has surface noise.
Post-punk: La Femme, Nothing, Les Panties (2016).
Post-punk via yéyé, shoegaze and new wave revival.
Read MoreReviews: MRCH, Chelan, Floor Cry (2016).
Electronic indie delights, with guitar.
Read MoreMöss: close to home and looking out at the world.
Möss does with synthesizers on it something like what the Church did with guitars at their best. Interview with Cody George.
Read MoreReviews: Denj, Water From Your Eyes, New Horror (2016).
Ambitious but endearing synthpop, catchy new wave pop and authentically recreated mid-’80s UK indie rock.
Read MoreIs Bandcamp the Holy Grail of online record stores? Hell yes.
The New York Times offers a nice writeup of your friend and mine, Bandcamp. Describing how it works and a bit of the story of the company. We talk to quite pleased musicians also.
Read MoreReviews: Los Perlas, Seven Waves, Warcrimeriot$, Fossey (2014, 2016).
It’s been a good weekend in the Bandcamp salt mines. Here’s some more: demo synthpop, early ’80s-style indie, trollclash and a young pop talent.
Read MoreReviews: Desert Dollhouse, Chuck, Soft Touch (2016).
Atmospheric dream-pop, indie pop and soulful R&B.
Read MoreLinks: Records and machinery.
Online streaming, ’70s music technology and ’90s record shops.
Read MoreReviews: Massenhysterie (2015), The Big Sun, Dyan (2016).
Shouty electropunk, indie pop and cinematic folk.
Read MoreReviews: Kromak, Arsenio Archer, Mirreya (2016).
Industrial-tangential trance, cinematic pop and vocal synthpop from Russian label SkyQode.
Read MoreDark wave: Voight, LisaWars, Dear Deer (2016).
Fine American, German and French post-punk sounds. With video!
Read MoreReviews: Fredrik Croona, Amelie Prime, London Plane (2016).
Futurepop, impassioned grunge and some new wave power pop. All with good tunes and a beat.
Read MoreReviews: Deerful, Brandy Kills, Milan (2016).
Political indie pop, goth rock with tunes and perfect synthpop.
Read MoreReviews: Optiphonal Wonder Machine, Coupons, Lich (2016).
Art collective synthpop, ’90s-style indie rock and a remarkable instrumental album.
Read MoreElectronic reviews: Boy Harsher, Syrian, Kuoko, Metroland (2016).
Post-punk synth, futurepop and synthpop.
Read MoreReviews: Vanguard, Dark Narrows, Navvi (2016).
EBM, goth-aspiring new wave and dreampop.
Read MoreSynthpop: BOO (Battery Operated Orchestra), Zürich ’81, Deerful (2016).
Three stone winners today. A pleasing selection.
Read MoreSpray: Enforced Fun (2016).
Spray are a couple of old goths doing semi-novelty synthpop straight out of The Manual. They do a brilliant job of it and you should listen to everything they have ever recorded.
Read MoreReviews: Dark Colour, The War Between, The Nursery, Selves (2016).
’90s-style sample-ridden indie dance rock, catchy amateur punkish indie pop, melodic pop songs in an indie band with synths, American Britpop.
Read MoreIndustrial singles: Mesh, Liquid Newt (2016).
A couple from the poppier end, on Dependent.
Read MoreStrap On Halo: Altar of Interim EP, Prayers for the Living CD (2016).
Strap On Halo are a goth rock band from the goth scene. This is unfortunate, insofar as not even current goths are interested in current goth music — it’s a subculture of new clothes and old music.
Read MoreIndustrial reviews: Shiny Darkness, Psychicold, Alexander Fetuekow/2AF (2016).
Depeche Modeish EBM, sp00ky goth EBM, instrumental EBM.
Read MoreUseful signage for the turntable.
Origin unknown.
Read More65daysofstatic: No Man’s Sky (2016).
Averaging one studio album every three years, the classic math rockers, 65daysofstatic are right on time with their latest release, the official soundtrack to the video game No Man’s Sky.
Read MoreIndustrial reviews: Psy’Aviah, Gamma 10, L.O.T.I.O.N.
Floaty EBM, instrumental EBM, industrial punk.
Read MoreReviews: nTTx, Foot Spa, Kites With Lights, Stars Crusaders, Kepler.
Two industrial, one post-punk, one synthpop, one indiest indie.
Read MoreBandcamp synthpop: Tentacles, Mimus, Bestman (2016).
The Laughing Clowns “Holy Joe” (1980).
An old favourite, the first track from the Laughing Clowns’ first album, just after Ed Kuepper split the original Saints.
Read MoreReviews: Amy’s Arms, Foster Body, Uranium Club (2016).
Today we hit the Bandcamp for various recommendations of mates’ mates’ bands. Send yours in! At worst it’ll be ignored.
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