But Lauren won’t budge; she likes what she likes, and Spotify understands that.
Read MoreCategory: Indie
Sulky Belgian art students in basements dying of TB.
Links: Selling yourself as a streaming artist, vacuum tubes, indie conspiracy theories.
BOTTOM VIEW: Basing diagram, JEDEC 9A.
Read MoreReviews: The Pineapple Thief, Trance To The Sun, Scandinavia (2016).
Let’s get the guitars out again.
Read MoreI want a hippopotamus for Christmas. How to hip-sing!
“Yup, all $9.24 from monetization is going towards the wedding. There will be ice sculptures.”
Read MoreThe Celibate Rifles: Merry Xmas Blues (1983).
Then give ’em all the turkey and tell ’em to get stuffed.
Read MoreReviews: Soviet Soviet, Fossey, Nórdika (2016).
Shoegazy post-punk, synth pop and futurepop.
Read MoreReviews: Pass-Ages, Embrace The Crisis, Tombaugh Regio (2016).
Synth-based indie pop, with some stomping jangle too.
Read MoreGanser: relentlessness by guitar.
Taut indie guitar rock, sparse but weighty; machine music by a guitar band with the proper relentlessness.
Read MoreFlying Nun revival and reissues, Roger Shepherd autobio.
Roger Shepherd, founder of Flying Nun Records, is now embarking upon a reissue programme. And has written an autobiography.
Read MoreReviews: Karlo, Moon Mask, Aseasita (2016).
Today, some pop and some electroclash.
Read MoreSynthpop: Mlale, Clintongore, Digital Logic (2016).
Some super-accessible pop, some more experimentally-leaning synthpop and more Digital Logic vaporwave.
Read MoreBlue Plutos: Moon Language (2016).
The sort of guitar jangle pop that was our bread and butter in the late ’80s.
Read MoreReviews: Nápoles, Damsel in the Dollhouse, Digital Logic (2016).
So I use the Bandcamp new arrivals as a radio, so what, so should you. Jangly guitar indie, goth-industrial dance and some straight-up vaporwave.
Read MoreReviews: The Royal They, Unity One, Graveyard Love (2016).
Pre-grunge-style indie rock, EBM synthpop and disorienting synthesizer-guitar landscapes.
Read MoreA note on A. C. Temple.
Who else remembers late ’80s Blast First band A. C. Temple?
Read MoreDeerful: Home (2016).
The vocal on “Moon Maps” is so gorgeous, and the chiptune actually makes this even clearer than on the excellent original. The first chiptune record I’ve ever had a minute for, let alone three.
Read MoreReviews: Magana, Night Club, Cybercide, Brandenburg (2006, 2016).
Acoustic songwriter guitar rock, new wave disco, pounding futurepop EBM and Russian post-punk revival.
Read MoreReviews: Möss, Ladylike Lily, Faderhead (2016).
Soundscapes with songs, indie pop with synth and guitar, and industrial gone synthpop. Three excellent finds today.
Read MoreReviews: French Concession, Novie, Golden Graves, The Decliner (2016).
Dreampop, shoegaze, synth landscapes … and in-your-face rap.
Read MoreReviews: Növö, District 13, Adhere to Form, Seattle Fix (2016).
Industrial atmospherics, EBM synthpop, ’80s old synth work and dreampop on real instruments.
Read MoreHey, ho! Let’s go! Punk rock links.
Pavarotti’s “Blitzkrieg Bop”, Kill Your Pet Puppy retrospective, a contemporary punk novel, Manchester punk history, Czechoslovak punk history, Scottish post-punk history and a children’s picture book on punk. The secret histories.
Read MoreReviews: Arsia Line, The Primary Colors, Lindy Vision (2016).
Black Native angular post-punk, psychedelic garage and some straight-up witch house.
Read MoreAll guitars: No Sister, Dot Dash, Susan, Strange Passage (2016).
Post-hardcore indie rock, punk pop, power punk pop and jangle punk.
Read MorePel Mel have a live album and a best-of coming out.
Pel Mel were an Australian post-punk indie-pop band who formed in Newcastle in 1979 and split in 1984. Like so many old post-punk bands, they’ve reformed in recent years, and have a collection and a live album out soon.
Read MorePost-punk: La Femme, Nothing, Les Panties (2016).
Post-punk via yéyé, shoegaze and new wave revival.
Read MoreReviews: MRCH, Chelan, Floor Cry (2016).
Electronic indie delights, with guitar.
Read MoreMöss: close to home and looking out at the world.
Möss does with synthesizers on it something like what the Church did with guitars at their best. Interview with Cody George.
Read MoreThe Go-Betweens on the Go-Betweens.
In 2005, talking about the 1980s and playing the songs on two acoustics.
Read MoreReviews: Denj, Water From Your Eyes, New Horror (2016).
Ambitious but endearing synthpop, catchy new wave pop and authentically recreated mid-’80s UK indie rock.
Read MoreReviews: Los Perlas, Seven Waves, Warcrimeriot$, Fossey (2014, 2016).
It’s been a good weekend in the Bandcamp salt mines. Here’s some more: demo synthpop, early ’80s-style indie, trollclash and a young pop talent.
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