Synth-based indie pop, with some stomping jangle too.
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Synth-based indie pop, with some stomping jangle too.
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Have your retro communism techno, enlightening the unwilling, archive your damn tapes, this is not your father’s Earache.
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Taut indie guitar rock, sparse but weighty; machine music by a guitar band with the proper relentlessness.
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Rocknerd is now served over SSL. Please try https://rocknerd.co.uk/ on all your gadgets and let me know of any problems. Here’s the technical detail of how I applied this to WordPress.
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sp00py theremin and keyboard, found sound loop atmospheric pop and some industrial bleep.
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The not-quite original awning from CBGB for auction; the story of Ableton Live; really, a cucumber organ.
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A start on the accumulated backlog. Today is synthpop day!
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The Pop Group are a singularity of post-punk awesomeness. Here, have their first two albums.
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“It’s all folk music, anyway.” — Lester Bangs
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Have some more links, this time with a video.
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Jon Langford’s time as a part-time g*th, J. G. Ballard’s house is for sale again and your headphones can be used to spy on you.
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There’s still the sound of roads not taken since; something tantalisingly not quite right about it. (Your mileage may vary.)
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I have finished the raw first draft of the Bitcoin/blockchain book. Current word count 30,410 (or 35,546 if you include the footnotes). This was supposed to be a 15,000 word rant before lunchtime …
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The sound with the Pearl becomes lighter and has less impact and detail compared to the Supra. Stereo image shrinks, but more obvious is a reduction in detail. Changing to Cinnamon with only one switch in my network produces a surprising result.
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Roger Shepherd, founder of Flying Nun Records, is now embarking upon a reissue programme. And has written an autobiography.
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Selections from the early post-punk record collection. A Certain Ratio, C Cat Trance, Crispy Ambulance, Magazine, Section 25, Cabaret Voltaire. The aesthetic.
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A web-based acid house creator, some Web Audio sound fonts, a light-based Arduino project and a plea to keep up your guitar playing.
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Today, some pop and some electroclash.
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’90s style industrial, early ’70s style songwriting, two dance non-reviews.
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There’s a lot to be said in favour of massive copyright violation in the interests of cultural preservation, but “fixed targets are stable and sustainable in a world including the record companies” is not any of it.
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“Hard Left” remains chilling and apposite. The fascists and quasi-fascists haven’t changed in thirty years.
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Audio snake oil, London still the centre of the universe, Summer in Paradise.
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Douban.com, a movie about a drum machine, software that grabs your microphone.
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aestheticblogging basically taught me to have feelings, that werent anger.
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But love, like life, will always stay.
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It’s been a busy day working on the book. So here’s some relaxing early ’80s Crépuscule industrial.
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Fifty year old records, fifty year old conspiracy theories, one hundred and thirty-three twenty and an actually non-stupid music industry report.
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Some super-accessible pop, some more experimentally-leaning synthpop and more Digital Logic vaporwave.
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A Mexican EBM-industrial synthpop artist with his album from earlier this year and his new single.
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A beautiful and apposite William S. Burroughs reading, and some classic rock faff.
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