Always great, they have even gained in skill, orchestration, and passion with their latest album.
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Listen, mate, life has surface noise.
Always great, they have even gained in skill, orchestration, and passion with their latest album.
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Is this thing on? Have a couple of records.
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Two are actually from this year!
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Old industrial musician from way back makes a new album during lockdown; android pop star turns grunge rocker.
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It’s blatant advertising time now, with the new CD from Arkady Rose of this parish just released today!
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Frankly, I’m most surprised Al Jourgensen is still alive. Good luck to him.
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Well, this is an obscurity I never expected to hear online.
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It’s all a rhythm instrument, dry and direct.
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Snog have embodied the virtue of consistency for the past thirty years.
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Jamie Halliday had stopped doing Audio Antihero, but has revived the label for this compilation.
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Also: the Terminator comedy dick puppet remix technique.
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Art is ephemeral. The text changes out from under you. Particularly when the text is a Severed Heads album.
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loveBUZZ is classic indie pop, and few are disappointed. But the story behind rooArt is a great saga.
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A pretty good slab of extruded Solar Fake product.
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Less Nirvana and more Fugazi, and no fashionability whatsoever. “The kind of rock that was 20 years past its expiration date.”
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A good new thing and an old new thing.
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Is it not the most appropriate time to consider the great disaster story The War of the Worlds, as a pandemic continues to sweep the globe, with no end in sight?
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Art as a response to limitations.
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Dark and morose, ambient and industrial, with occasional contrasts, replicr is an album for particular moods.
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Yeah, need more abrasive bleepy shit.
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Experientially and holistically, this is a thoroughly enjoyable piece of work of which Grum can be pretty proud of.
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The punishment of luxury is in the air for all to see. And it’s ugly now, and it’s getting worse every day. Hey! Hey! Hey!
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The band started off pretty firmly in the metal genre, but transmogrified into something that is a cross between math rock and metal, like a love-child of 65daysofstatic and Dream Theater.
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If the year was from the ’80s it was guaranteed to totally suck.
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This eighteen-month late review of Tears for Fears latest compilation, released in November 2017, absolutely has to be done, for reasons of aesthetic duty if nothing else.
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Dangerous Minds interviews Martin Rev, going through the recording process for the first Suicide album.
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Trying to write sensible things to describe music is way too much like work. Here are things from the pile that I’ve been enjoying. Press the play buttons and make up some adjectives yourself.
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Mary Byker being precisely the right amount of too clever for his own good is a pleasing surprise when clearing down the review pile.
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The review pile is full of alternative buttrock industrial.
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Some new pre-punk pop-rock, and a remixed favourite.
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