Two are actually from this year!
Read MoreCategory: Record
Listen, mate, life has surface noise.
Records: Rhys Fulber, Poppy (2021).
Old industrial musician from way back makes a new album during lockdown; android pop star turns grunge rocker.
Read MoreArkady Rose: Nocturne (2021).
It’s blatant advertising time now, with the new CD from Arkady Rose of this parish just released today!
Read MoreMinistry: Moral Hygiene (2021).
Frankly, I’m most surprised Al Jourgensen is still alive. Good luck to him.
Read More21 Faces: Red Hearts (1985).
Well, this is an obscurity I never expected to hear online.
Read MoreS:Bahn: Queen of Diamonds (2021).
It’s all a rhythm instrument, dry and direct.
Read MoreSnog: Lullabies for the Lithium Age (2020).
Snog have embodied the virtue of consistency for the past thirty years.
Read MoreVarious Artists: From the River to the Sea (2021).
Jamie Halliday had stopped doing Audio Antihero, but has revived the label for this compilation.
Read MoreRecords: Slow Down Molasses (2021), Shriekback (1989).
Also: the Terminator comedy dick puppet remix technique.
Read MoreSevered Heads: get the late-period albums while you can.
Art is ephemeral. The text changes out from under you. Particularly when the text is a Severed Heads album.
Read MoreThe Hummingbirds: loveBUZZ (1989).
loveBUZZ is classic indie pop, and few are disappointed. But the story behind rooArt is a great saga.
Read MoreSolar Fake: Enjoy Dystopia; Masked (2021).
A pretty good slab of extruded Solar Fake product.
Read MoreRecords: Throat (2018, 2020); Microlaxx (2021).
Less Nirvana and more Fugazi, and no fashionability whatsoever. “The kind of rock that was 20 years past its expiration date.”
Read MoreRecords: Statiqbloom, AC/DC (2020).
A good new thing and an old new thing.
Read MoreThe War of the Worlds: The Book, The Drama, The Musical, the Film
Is it not the most appropriate time to consider the great disaster story The War of the Worlds, as a pandemic continues to sweep the globe, with no end in sight?
Read MoreProtodome: 4000AD (2020). A chiptune jazz-funk EP played entirely on a 1-bit square wave.
Art as a response to limitations.
Read More65daysofstatic: replicr (2019).
Dark and morose, ambient and industrial, with occasional contrasts, replicr is an album for particular moods.
Read MoreRecords: This Frilly Ape (2019), Amelia Arsenic (2020).
Yeah, need more abrasive bleepy shit.
Read MoreGrum: Deep State (2019).
Experientially and holistically, this is a thoroughly enjoyable piece of work of which Grum can be pretty proud of.
Read More2019 in music: your comprehensive and reliable global guide.
The punishment of luxury is in the air for all to see. And it’s ugly now, and it’s getting worse every day. Hey! Hey! Hey!
Read MoreWe Lost The Sea: Triumph & Disaster (2019).
The band started off pretty firmly in the metal genre, but transmogrified into something that is a cross between math rock and metal, like a love-child of 65daysofstatic and Dream Theater.
Read MoreJeffrey Lewis & The Voltage: “LPs.” I feel seen.
If the year was from the ’80s it was guaranteed to totally suck.
Read MoreTears for Fears, Rule The World: Greatest Hits (2017)
This eighteen-month late review of Tears for Fears latest compilation, released in November 2017, absolutely has to be done, for reasons of aesthetic duty if nothing else.
Read MoreMartin Rev on “Suicide” by Suicide.
Dangerous Minds interviews Martin Rev, going through the recording process for the first Suicide album.
Read MoreRecord non-reviews: Cloud, Even As We Speak, Frog (2017, 2019).
Trying to write sensible things to describe music is way too much like work. Here are things from the pile that I’ve been enjoying. Press the play buttons and make up some adjectives yourself.
Read MoreRecords: Nero Bellum, Am I Dead Yet?, O.R.k. (2019).
Mary Byker being precisely the right amount of too clever for his own good is a pleasing surprise when clearing down the review pile.
Read MoreRecords: Cortez (2018), Statiqbloom, various goths (2019).
The review pile is full of alternative buttrock industrial.
Read MoreRecords: The Be Positives, Boy Harsher (2019).
Some new pre-punk pop-rock, and a remixed favourite.
Read MoreSevered Heads: If I’ve Told You Once I’ve Told You A 1,000 Times (1987).
From the cellulose nitrate days of music video.
Read MoreRecords: Gang of Four, Lindy Vision (2019).
Andy Gill’s Gang of One turns out to be a good band making good records. And new Lindy Vision is always a delight.
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