Experientially and holistically, this is a thoroughly enjoyable piece of work of which Grum can be pretty proud of.
Read MoreValedictions, Andy Gill
Elder statesman, co-founder, and guitarist and vocalist of post-punk legends Gang of Four, Andy Gill, died on 1 February, aged 64.
Read More2019 in music: your comprehensive and reliable global guide.
The punishment of luxury is in the air for all to see. And it’s ugly now, and it’s getting worse every day. Hey! Hey! Hey!
Read MoreWe Lost The Sea, Howler Bar, Melbourne, 30 November 2019.
The Howler Bar in Brunswick initially looks like a large open-plan bar but has an enclosed back-room which is just the right size for bands with a moderate following, and a brilliant second bar which provides a windowed view to the stage.
Read MoreWe Lost The Sea: Triumph & Disaster (2019).
The band started off pretty firmly in the metal genre, but transmogrified into something that is a cross between math rock and metal, like a love-child of 65daysofstatic and Dream Theater.
Read MoreGang of Four, Croxton Bandroom, November 2019
After being a music reviewer for over 30 years, and being a Gang of Four fan for a similar period, it is about time I owned an electric guitar.
So I picked up Andy Gill’s from the Gang of Four concert last night.
Read MoreJeffrey Lewis & The Voltage: “LPs.” I feel seen.
If the year was from the ’80s it was guaranteed to totally suck.
Read MoreTears for Fears, Rule The World: Greatest Hits (2017)
This eighteen-month late review of Tears for Fears latest compilation, released in November 2017, absolutely has to be done, for reasons of aesthetic duty if nothing else.
Read MoreThe Cure, Disintegration 30 Years Anniversary, Sydney Opera House, May 2019
Disintegration’s popularity is absolutely deserving of a 30th anniversary and real credit is given to the band for having the courage and principle to have the entire show live-streamed and added to YouTube.
Read MoreUnderworld, June 1st, 2019 Sydney Opera House
Possibly one of the most iconic progressive house bands of the 1990s, Underworld’s appearance at Sydney’s Vivid light and sound festival was exceptionally appropriate.
Read MoreVale Damien Lovelock, 1954-2019 — the last Celibate Rifles show, 19 May 2018.
The Celibate Rifles’ official Facebook posted a link to what turned out to be their last gig — Corner Hotel, Melbourne, 19 May 2018. Here’s the complete video.
Read MoreMartin Rev on “Suicide” by Suicide.
Dangerous Minds interviews Martin Rev, going through the recording process for the first Suicide album.
Read MoreRecord non-reviews: Cloud, Even As We Speak, Frog (2017, 2019).
Trying to write sensible things to describe music is way too much like work. Here are things from the pile that I’ve been enjoying. Press the play buttons and make up some adjectives yourself.
Read MoreRecords: Nero Bellum, Am I Dead Yet?, O.R.k. (2019).
Mary Byker being precisely the right amount of too clever for his own good is a pleasing surprise when clearing down the review pile.
Read MoreRecords: Cortez (2018), Statiqbloom, various goths (2019).
The review pile is full of alternative buttrock industrial.
Read MoreRecords: The Be Positives, Boy Harsher (2019).
Some new pre-punk pop-rock, and a remixed favourite.
Read MoreGet the 500 Songs bonus podcasts, they’re great.
“Fuck, suck and fight/ Till the beginning of broad daylight …”
Read MorePokémon Detective Pikachu (2019).
It’s a fun film if you don’t bother trying to make sense of it. And it has lots of explosions.
Read MoreSevered Heads: If I’ve Told You Once I’ve Told You A 1,000 Times (1987).
From the cellulose nitrate days of music video.
Read MoreRecords: Gang of Four, Lindy Vision (2019).
Andy Gill’s Gang of One turns out to be a good band making good records. And new Lindy Vision is always a delight.
Read MoreLinks: Mark E. Smith, keeping Nazis out of punk, have you heard about Napster?
Suspended in gaffer.
Read MoreCryptorave: Arpanet, M.E.S.H., Amnesia Scanner — Romantso, Athens, Saturday 16 February 2019
Excessive quantities of pseudish babble wrapped around a surprisingly good live techno gig.
Read MoreBoy Harsher: Careful (2019).
Darkwave disco. I’ve been hanging out for this one, and I’m thoroughly delighted. You will be too.
Read MoreGary Numan: Savage (Songs from A Broken World) (2017).
For those most familiar with the classic synth-pop Gary Numan, this will be quite different. For those who have followed Numan in the past thirty years this is not a surprise.
Read MoreMono: Nowhere Now Here (2019).
Tell you what I love about Steve Albini recordings: the drums.
Read MoreThe The, October 5 2018, Melbourne
A long concert, though more amiable than epic.
Read MoreChristmas links: 500 Songs bonus podcast, Lindy Vision.
Give yourself what you deserve today — both of these.
Read MoreLinks: Bauhaus, WFMU Free Music Archive saved, post-punk indie labels, Pete Shelley’s XL-1 videos, Boy Harsher.
What’s important to understand about entertainment from the 60s or 70s or 80s is that the entire audience is lead-poisoned, poisoning their kids with lead, pumping drugs cut with industrial solvents bought outside their kids’ schools, which are also poisoning the kids with lead.
Read MoreRecords: Nora Roy, Laibach (2018).
An indie singer-songwriter and the return of an old favourite with a slab of excellence.
Read MoreRecords: Frog, Keen On Keys, Metal Disco (2018).
Metal Disco is today’s pleasant surprise winner.
Read More