The accessible and the inaccessible.
Read MoreCategory: Record
Listen, mate, life has surface noise.
John Cale: Music For A New Society/M:FANS (1982, 2016).
Music For A New Society was written and recorded over a few weeks in 1982. Cale basically pulled out handfuls of his guts and shoved them into the piano and the vocal mic as hard as he could. It’s a perfectly captured moment, and one of the best things Cale ever did.
The 2016 rerecording is … completely different.
Read MoreSynthpop reviews: Cloud Spell, Cavendish Laboratory, Seaofsin (2017).
Minimal synth dreampop, extended instrumental noodling and EBM dancefloor.
Read MoreMartin Rev: Clouds of Glory (1985).
Unambiguously rock’n’roll for every practical purpose, without involving any of guitars, basses or drums.
Read MoreReviews: Gnu Reunion, Treasureseason, Shijo X (2017).
A cheering selection, from old and new bands.
Read MoreSynthpop reviews: Ida, Missing In STARS, Metrophona (2017).
Remarkable debuts in the synthetic arts.
Read MoreCabaret Voltaire: Doublevision Present (1983).
The Audio And Visual Quality Of This Programme May Be Of A Slightly Lower Standard Than Is Usual Today.
Read MoreReviews: Carrousel, Neuroticfish, Epileptics (2016, 2017).
There’s electronics and there’s electronics. Sonic landscape pop, EBM and glitchy electropunk.
Read MoreSynthpop: Black Nail Cabaret, LisaWars, Lux for the Monsters (2016).
A dash of precision decadence in these dark times.
Read MoreReviews: The Pineapple Thief, Trance To The Sun, Scandinavia (2016).
Let’s get the guitars out again.
Read MoreThe Voices: Oneiric Anthem (2016).
Today’s “what the hell even is that”: a capella experimental prog.
Read MoreIndustrial reviews: Purple Fog Side, Mari Kattman, Amorphous (2016, 2017).
Recent releases from the bleep side and the noise side.
Read MoreMogwai: Central Belters (2015).
As the year comes to an end there is the realisation that a half-complete text file has been languishing for a triple compilation released in October 2015. What a difference a day makes to being “somewhat late” to being “so old it’s a retrospective”.
Read MoreReviews: Rose and the Diamond Hand, Venus Hum, Hand In Waves (2016).
Goth rock, electronic pop and witch house.
Read MoreThe Celibate Rifles: Merry Xmas Blues (1983).
Then give ’em all the turkey and tell ’em to get stuffed.
Read MoreElectronic reviews: Epileptics, VvvV, Shiny Darkness (2016).
Electroclash witch house, electric prog and industrial synthpop.
Read MoreReviews: Soviet Soviet, Fossey, Nórdika (2016).
Shoegazy post-punk, synth pop and futurepop.
Read MoreWire: On The Box: Live on Rockpalast (1979, 2004); KEXP, 2013.
Two Wire live performances, because they’re good for you.
Read MoreReviews: Pass-Ages, Embrace The Crisis, Tombaugh Regio (2016).
Synth-based indie pop, with some stomping jangle too.
Read MoreGanser: relentlessness by guitar.
Taut indie guitar rock, sparse but weighty; machine music by a guitar band with the proper relentlessness.
Read MoreReviews: Tetrolugosi, Makoto Kino, A.D. Mana, Foretaste (2016).
sp00py theremin and keyboard, found sound loop atmospheric pop and some industrial bleep.
Read MoreSynthpop: Aidan Casserly, Kriistal Ann, Dress Your Headphones (2015, 2016).
A start on the accumulated backlog. Today is synthpop day!
Read MoreThe Pop Group: Y (1979), For How Much Longer Do We Tolerate Mass Murder? (1980).
The Pop Group are a singularity of post-punk awesomeness. Here, have their first two albums.
Read MoreLou Reed: Metal Machine Music (1975).
“It’s all folk music, anyway.” — Lester Bangs
Read MoreThe Danse Society: goth rock roads not quite taken.
There’s still the sound of roads not taken since; something tantalisingly not quite right about it. (Your mileage may vary.)
Read MoreFlying Nun revival and reissues, Roger Shepherd autobio.
Roger Shepherd, founder of Flying Nun Records, is now embarking upon a reissue programme. And has written an autobiography.
Read MoreA selection of early ’80s mopey post-punk aesthetic.
Selections from the early post-punk record collection. A Certain Ratio, C Cat Trance, Crispy Ambulance, Magazine, Section 25, Cabaret Voltaire. The aesthetic.
Read MoreReviews: Karlo, Moon Mask, Aseasita (2016).
Today, some pop and some electroclash.
Read MoreReviews: Diversant:13, La Vogue vol. 1, Ambrasive, DrawnSword (2016).
’90s style industrial, early ’70s style songwriting, two dance non-reviews.
Read MoreGary Clail’s Tackhead Sound System: Tackhead Tape Time (1987).
“Hard Left” remains chilling and apposite. The fascists and quasi-fascists haven’t changed in thirty years.
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